Śiva-nāma-sahasraka-kathana
The Recital/Teaching of the Thousand Names of Śiva
बालखिल्यो महावीरस्तिग्मांशुर्बधिरः खगः । अभिरामः सुशरणः सुब्रह्मण्यः सुधापतिः
bālakhilyo mahāvīrastigmāṃśurbadhiraḥ khagaḥ | abhirāmaḥ suśaraṇaḥ subrahmaṇyaḥ sudhāpatiḥ
他是巴拉希利亚(Bālakhilya)——微妙而苦行;他是大英雄;他是发出刺眼光芒的耀眼者;他是寂静者;他是虚空行者。他是令人愉悦者,是卓越的庇护所,是虔诚者与婆罗门的仁慈保护者,是不死甘露之主。
Suta Goswami
Tattva Level: pati
Shiva Form: Īśāna
Type: stotra
Role: liberating
This verse presents Shiva as both transcendent and accessible: beyond the senses (“badhiraḥ” as silence beyond hearing) yet the sure refuge (“suśaraṇaḥ”). In Shaiva Siddhanta, such names guide the soul (paśu) to surrender to the Lord (Pati) who alone grants liberation.
These epithets are used as contemplative supports in Saguna worship—chanting and meditating on Shiva’s qualities while offering to the Linga. The names point from form to formless: the Linga is worshipped as the manifest sign of the Reality that is ultimately beyond sensory limitation.
Nama-japa and śaraṇāgati: chant Shiva’s names (or the Panchakshara “Om Namaḥ Śivāya”) with the attitude of taking refuge in him (“suśaraṇaḥ”), ideally alongside Linga-pūjā with water/abhisheka and mindful meditation on Shiva as the giver of amṛta (“sudhāpatiḥ”).