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Valmiki Ramayana 2.71.21: Ayodhya Kanda, Sarga 71, Shloka 21

भरतस्य अयोध्याप्रत्यागमनम्

Bharata’s Return Journey and the Distant Sight of Ayodhya

अयोध्यायां पुरा शब्दश्श्रूयते तुमुलो महान्।।2.71.21।।

समन्तान्नरनारीणां तमद्य न श्रुणोम्यहम्।

ayodhyāyāṃ purā śabdaḥ śrūyate tumulo mahān || 2.71.21 ||

samantān nara-nārīṇāṃ tam adya na śṛṇomy aham |

往昔在阿逾陀耶,四方常闻男女喧腾之大声;而今我却听不见那般声响。

ayodhyāyāmin Ayodhya
ayodhyāyām:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootayodhyā (प्रातिपदिक)
FormFeminine, Locative (7th/सप्तमी), Singular
purāformerly
purā:
Kāla-adhikaraṇa (कालाधिकरण)
TypeIndeclinable
Rootpurā (अव्यय)
FormAdverb (time)
śabdaḥsound/noise
śabdaḥ:
Karta (कर्ता)
TypeNoun
Rootśabda (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular
śrūyateis heard/was heard
śrūyate:
Kriyā (क्रिया)
TypeVerb
Rootśru (धातु)
FormLaṭ (लट्) Present; 3rd person, Singular; Ātmanepada; passive sense 'is heard'
tumulaḥtumultuous
tumulaḥ:
Karta (कर्ता)
TypeAdjective
Roottumula (प्रातिपदिक)
FormMasculine, Nominative, Singular; qualifying "śabdaḥ"
mahāngreat
mahān:
Karta (कर्ता)
TypeAdjective
Rootmahat (प्रातिपदिक)
FormMasculine, Nominative, Singular; qualifying "śabdaḥ"
samantātall around
samantāt:
Deśa-adhikaraṇa (देशाधिकरण)
TypeIndeclinable
Rootsamantāt (अव्यय)
FormAdverb (place) 'from all sides/throughout'
nara-nārīṇāmof men and women
nara-nārīṇām:
Sambandha (सम्बन्ध)
TypeNoun
Rootnara (प्रातिपदिक) + nārī (प्रातिपदिक)
FormDvandva compound; Genitive (6th/षष्ठी), Plural (बहुवचन); overall gender: mixed -> masculine plural usage
tamthat (sound)
tam:
Karma (कर्म)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormPronoun; Masculine, Accusative (2nd/द्वितीया), Singular; referring to "śabdaḥ"
adyatoday/now
adya:
Kāla-adhikaraṇa (कालाधिकरण)
TypeIndeclinable
Rootadya (अव्यय)
FormAdverb (time)
nanot
na:
Negation (निषेध)
TypeIndeclinable
Rootna (अव्यय)
FormNegation particle
śṛṇomiI hear
śṛṇomi:
Kriyā (क्रिया)
TypeVerb
Rootśru (धातु)
FormLaṭ (लट्) Present; 1st person (उत्तमपुरुष), Singular; Parasmaipada
ahamI
aham:
Karta (कर्ता)
TypeNoun
Rootasmad (सर्वनाम-प्रातिपदिक)
FormPronoun; Nominative (1st/प्रथमा), Singular

I do not hear now, in Ayodhya the tumultous noise of men and women I used to hear earlier all over.

A
Ayodhya
S
Sumantra

FAQs

Dharma is reflected in the collective life of the city; when dharma is disturbed, even ordinary civic joy and movement diminish. The verse uses silence as a moral symptom of a kingdom’s inner disorder.

As Rama nears Ayodhya, he notices an abnormal quiet compared to the city’s usual lively bustle.

Rama’s empathy and responsibility: he reads the people’s mood as significant, not trivial, indicating a ruler’s concern for public welfare.

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