The Greatness of Puruṣottama
Aṣṭākṣarī Maṇḍala-Pūjā and Nyāsa
प्रद्युम्नं पश्चिमे कुर्यादनिरुद्धं तथोत्तरे । वाराहं च तथाग्रेये नरसिंहं च नैर्ऋते ॥ ४० ॥
pradyumnaṃ paścime kuryādaniruddhaṃ tathottare | vārāhaṃ ca tathāgreye narasiṃhaṃ ca nairṛte || 40 ||
应在西方安置普拉丢姆那(Pradyumna),在北方安置阿尼卢陀(Aniruddha);在东北安置婆罗诃(Varāha),在西南安置那罗辛哈(Narasiṃha)。
Narada
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches dik-vinyāsa—placing specific forms of Viṣṇu in prescribed directions—so worship becomes orderly, symbolically complete, and aligned with sacred space (kṣetra) principles.
Bhakti here is expressed as disciplined, reverent service (sevā) through correct installation and honoring of Viṣṇu’s manifestations—Pradyumna, Aniruddha, Varāha, and Narasiṃha—each approached in its proper place.
It reflects applied ritual-knowledge connected with kalpa (procedural ritual rules) and spatial discipline akin to vāstu/dik-jñāna, specifying directions (paścima, uttara, āgneya/īśāna, nairṛta) for icon placement.