Pūjādi-kathana — Gaṅgā Vratas, Tenfold Worship, Stotra, and Mokṣa on the Riverbank
पृथ्व्यै शिवामृतायै च विरजायै नमोनमः । परावरगताद्यैयै तारायै ते नमोनमः ॥ ७८ ॥
pṛthvyai śivāmṛtāyai ca virajāyai namonamaḥ | parāvaragatādyaiyai tārāyai te namonamaḥ || 78 ||
再三顶礼于汝:为大地普利提毗(Pṛthvī)者,为湿婆吉祥甘露(Śivāmṛta)者,为无垢维拉迦(Virajā)者。再三顶礼于汝:为超越上与下(parā与aparā)的本初者,并为度脱之星塔罗(Tārā)者。
Suta (reciting a hymn/stuti within the Uttara-Bhaga narrative)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It offers a multi-form salutation to the Devī as the ground of existence (Earth), as purifying stainlessness (Virajā), and as the saving power (Tārā), teaching that the sacred is present in both worldly support and transcendent liberation.
By repeating “namo namaḥ” and praising the Divine in many aspects, it models bhakti as reverent remembrance (smaraṇa) and surrender to the one Reality appearing through diverse names and functions.
The verse reflects Chandas/Mantra practice through its litany-style invocation and the devotional use of epithets (nāma-bheda) for focused japa and ritual recitation, a common applied feature in Purāṇic worship.