Description of the Rules for Charitable Gifts and Related Rites
Gaṅgā-māhātmya
भेरीशंखमृदंगादिनिर्घोषान्स्रग्विभूषितान् । गन्धर्वदेहरुचिरान्दिव्यभोगसमन्वितान् ॥ १२ ॥
bherīśaṃkhamṛdaṃgādinirghoṣānsragvibhūṣitān | gandharvadeharucirāndivyabhogasamanvitān || 12 ||
他们佩戴花鬘,壶鼓(bhērī)、法螺(śaṅkha)与木鼓(mṛdaṅga)之声轰然回响;身相如乾闼婆般光耀,具足天界的种种妙乐。
Narada (narrative voice within Uttara-Bhaga mahatmya description)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: vira
It portrays the auspicious, heaven-like fruition (phala) of great merit—marked by sacred sounds, adornment, beauty, and divine enjoyments—typical of tirtha-mahatmya passages that motivate dharmic practice.
By emphasizing divine splendor and joy as outcomes of sacred acts, it supports the Purāṇic bhakti framework where devotion and dharma expressed through pilgrimage, worship, and praise culminate in elevated states and divine association.
Ritual sound and auspicious markers are implied: the use of śaṅkha and percussion aligns with śrauta/smārta worship conventions (prayoga), pointing to applied ritual practice rather than a specific Vedāṅga doctrine.