Saṃdhyāvalī-ākhyāna
Mohinī-parīkṣā; Dvādaśī-vrata-mahattva
गन्धमादनवासाय नरनारायणाय च । जगन्नाथाय नाथाय नमो रामेश्वराय च ॥ ३१ ॥
gandhamādanavāsāya naranārāyaṇāya ca | jagannāthāya nāthāya namo rāmeśvarāya ca || 31 ||
礼敬住于甘达摩陀那山的那罗—那罗延;礼敬贾甘纳塔,统御万有之主;并亦礼敬罗摩伊湿伐罗。
Suta (narrating the Narada Purana dialogue/tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It functions as a concise stotra-like salutation that sanctifies pilgrimage discourse by invoking divinity as present in famed sacred geographies—Gandhamādana (Nara-Nārāyaṇa), Jagannātha (universal Lord), and Rāmeśvara (tīrtha of Śiva connected with Rāma).
Bhakti here is expressed through nāma-smaraṇa and namaskāra—remembering and bowing to the Lord in His revered forms and seats—showing that devotion is strengthened by reverential recollection of tīrthas and their presiding deities.
No specific Vedāṅga (like Vyākaraṇa or Jyotiṣa) is taught directly; the practical takeaway is ritual devotion—recitation of salutations (stotra/namaskāra) as a preparatory act aligned with tīrtha-yātrā and worship.