Adhyaya 8 — Harishchandra’s Trial: Truth, the Sale of Family, and Bondage to a Chandala
गायतां भूतवेतालपिशाचगणरक्षसाम् ।
श्रूयते सुमहान् घोरः कल्पान्त इव निःस्वनः ॥
gāyatāṃ bhūta-vetāla-piśāca-gaṇa-rakṣasām /
śrūyate sumahān ghoraḥ kalpānta iva niḥsvanaḥ
当诸多部众——部多(bhūta)、吠多罗(vetāla)、毗舍遮(piśāca)与罗刹(rākṣasa)——齐声歌唱时,便听见一阵宏大而可怖的咆哮,宛如一劫(kalpa)终尽之声。
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The ‘end-of-aeon’ comparison magnifies the gravity of adharmic company and environments: the mind becomes overwhelmed by tamas when it dwells among destructive impressions.
Not a direct sarga/pratisarga/manvantara/vaṃśa unit; it functions as ākhyāna (narrative) that prepares for later instruction and transformation in the storyline.
Kalpānta is also inner dissolution: when prāṇa and mind are seized by fear, one experiences a personal ‘world-end’—a cue for seeking refuge in higher dharma or divinity.