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Shloka 35

Parṇāda’s Report; Bāhuka’s Counsel; Damayantī’s Strategic Svayaṃvara Message (अध्याय ६८)

अथ चेदिपते्माता राज्ञश्नान्त:ःपुरात्‌ तदा । जगाम यत्र सा बाला ब्राह्मणेन सहाभवत्‌,तदनन्तर चेदिराजकी माता उस समय अन्तःपुरसे निकलकर उसी स्थानपर गयीं, जहाँ राजकन्या दमयन्ती ब्राह्मणके साथ खड़ी थी

atha cedipateḥ mātā rājñaḥ antaḥpurāt tadā | jagāma yatra sā bālā brāhmaṇena sahābhavat ||

当时,遮提王的王太后走出内宫,前往那处——年轻的公主正与那位婆罗门并立其间。于叙事推进之中,此举昭示一位年长的王室权威介入一桩微妙之事:有乔装来客,有柔弱少女;此乃伦理关头,掌权者当以护佑、礼法与明断应对。

अथthen
अथ:
TypeIndeclinable
Rootअथ
चेत्if
चेत्:
TypeIndeclinable
Rootचेत्
चेदि-पतेःof the lord/king of Cedi
चेदि-पतेः:
Sambandha
TypeNoun
Rootचेदि-पति
FormMasculine, Genitive, Singular
माताmother
माता:
Karta
TypeNoun
Rootमातृ
FormFeminine, Nominative, Singular
राज्ञःof the king
राज्ञः:
Sambandha
TypeNoun
Rootराजन्
FormMasculine, Genitive, Singular
अन्तःपुरात्from the inner palace
अन्तःपुरात्:
Apadana
TypeNoun
Rootअन्तःपुर
FormNeuter, Ablative, Singular
तदाat that time
तदा:
TypeIndeclinable
Rootतदा
जगामwent
जगाम:
TypeVerb
Rootगम्
FormPerfect (Paroksha-bhuta), Third, Singular, Parasmaipada
यत्रwhere
यत्र:
Adhikarana
TypeIndeclinable
Rootयत्र
साshe
सा:
Karta
TypePronoun
Rootतद्
FormFeminine, Nominative, Singular
बालाthe young girl
बाला:
Karta
TypeNoun
Rootबाल
FormFeminine, Nominative, Singular
ब्राह्मणेनwith a Brahmin
ब्राह्मणेन:
Saha/Karana
TypeNoun
Rootब्राह्मण
FormMasculine, Instrumental, Singular
सहtogether with
सह:
TypeIndeclinable
Rootसह
अभवत्was / stood (was present)
अभवत्:
TypeVerb
Rootभू
FormImperfect (Lan), Third, Singular, Parasmaipada

बृहृदश्च उवाच

C
Cedi (Cedi kingdom)
C
Cedipati (king of Cedi)
M
Mother of the king of Cedi
A
antaḥpura (inner palace)
B
bālā (the young princess/maiden—contextually Damayantī)
B
brāhmaṇa (the Brahmin)

Educational Q&A

The verse highlights an ethical expectation in royal life: elders and guardians must respond promptly and appropriately when a young woman is found in an unusual or potentially sensitive circumstance, exercising protection, propriety, and careful judgment.

The mother of the Cedi king leaves the inner palace and goes to the spot where the young princess is standing with a Brahmin, marking the moment when a senior palace figure approaches to see, assess, and intervene in the situation.