कर्णके ध्वजपर जो हाथीकी साँकल थी, वह कालपाशके समान जान पड़ती थी। वह लोहनिर्मित हाथीकी साँकल छोटी-छोटी घण्टियोंसे विभूषित थी। उसने अत्यन्त कुपित होकर उस वानरपर धावा किया ।।
sañjaya uvāca |
karṇake dhvajapara yā hastikī sāṅkal thī sā kālapāśa-samān jān paṛtī thī | sā loha-nirmita hastikī sāṅkal choṭī-choṭī ghaṇṭiyoṃ-se vibhūṣit thī | usne atyanta kupit hokar us vānara-par dhāvā kiyā ||
tayor ghoritare yuddhe dvairathe dyūta āhite | prakurvāte dhvajau yuddhaṃ pūrvaṃ pūrva-taraṃ tadā ||
三阇耶说道:迦尔那的旗上悬着一条铁链,如象链一般,宛若死神之索,缀满细小铃铛。它在盛怒中扑向那神猴。而在那更为可怖的车战对决里——仿佛掷骰之局已然发动——两人的军旗竟先行开战,似乎预先迎接即将到来的厮杀。
संजय उवाच
The passage uses vivid symbolism to frame battle as a fateful, death-shadowed contest: the ‘noose of Death’ imagery and the dice-game metaphor suggest that once violent rivalry is set in motion, it quickly escalates beyond ordinary control, demanding vigilance about the ethical weight and consequences of war.
Sanjaya describes an ominous prelude to the Karna–Arjuna chariot duel: Karna’s banner-ornament (an iron elephant-chain with bells) seems to lunge at the monkey (Hanuman) on Arjuna’s standard, and the two standards are portrayed as beginning the fight even before the warriors fully engage.