Shloka 92
शरतल्पे महेष्वासं शयानं पुरुषर्षभम् | रथात् प्रपतितं चैनं दिव्यो भाव: समाविशत्,रथसे गिरकर बाणशय्यापर सोये हुए पुरुषप्रवर महाधनुर्धर भीष्मके भीतर दिव्यभावका आवेश हुआ
śarat-talpe maheṣvāsaṃ śayānaṃ puruṣarṣabham | rathāt prapatitaṃ cainaṃ divyo bhāvaḥ samāviśat ||
三阇耶说道：当那位大弓手毗湿摩——人中雄牛——自战车坠落，卧于箭床之上时，一种神圣的昂扬之境进入了他。于战争的暴烈与肉身的崩颓之间，叙事标记出内在的升华：战士外在的败落，反成通向更高、更定之境的门槛。
संजय उवाच
Educational Q&A
Even amid the harsh consequences of battle, the epic highlights the possibility of inner elevation: a righteous, steadfast person may be touched by a higher, divine composure when worldly supports fall away.
Bhīṣma has been struck down in battle and has fallen from his chariot. He lies on a bed formed by arrows, and Sañjaya reports that a ‘divine bhāva’—an exalted, transcendent state—enters and pervades him.