देवैर्विष्णोः शरणागमनम्—शिवलिङ्गस्थापनं, शिवसहस्रनामस्तवः, सुदर्शनचक्रप्रदानं च
ततस्तत्र विभुर्दृष्ट्वा तथाभूतं हरो हरिम् तस्मादवतताराशु मण्डलात्पावकस्य च
tatastatra vibhurdṛṣṭvā tathābhūtaṃ haro harim tasmādavatatārāśu maṇḍalātpāvakasya ca
于是,遍在的主诃罗见诃利处于那般境地,亦迅疾自炽燃火轮之中降下——以其自在大悲,复归法度,并引导被缚之兽灵(paśu)趋向主宰(Pati)。
Suta Goswami (narrating to the sages of Naimisharanya)
It frames Shiva (Hara) as the transcendent yet accessible Pati who manifests and descends for lokasaṅgraha—establishing the Linga’s symbolism as the fiery, formless source that becomes approachable through grace.
Shiva is called vibhū (all-pervading) and shown as freely acting (svātantrya): He observes, responds, and descends from the fiery sphere, indicating both transcendence (beyond form) and immanence (active compassion).
The verse primarily highlights divine anugraha (grace), the key principle behind Pashupata Yoga: liberation occurs when Pati intervenes to loosen pāśa (bondage), making worship and disciplined practice efficacious.