अविमुक्तक्षेत्रमाहात्म्य — काशी-वाराणसी में मोक्ष, लिङ्ग-तीर्थ-मानचित्र, और उपासना-विधि
क्वचिच्च दन्तक्षतचारुवीरुधं क्वचिल्लतालिङ्गितचारुवृक्षकम् /* क्वचिद्विलासालसगामिनीभिर् निषेवितं किंपुरुषाङ्गनाभिः
kvacicca dantakṣatacāruvīrudhaṃ kvacillatāliṅgitacāruvṛkṣakam /* kvacidvilāsālasagāminībhir niṣevitaṃ kiṃpuruṣāṅganābhiḥ
有些地方,秀美藤蔓留有齿痕;有些地方,佳木被缠绕的蔓条所拥抱。又有些地方,金普鲁沙族的少女以嬉游之姿、慵柔之态往来其间,享受此境——这正是世间诱惑的写照:它系缚“兽魂”(paśu),直至其回心转向“主”(Pati)湿婆。
Suta Goswami (narrating the Linga Purana account to the sages of Naimisharanya)
By portraying an exquisitely attractive, pleasure-filled landscape, the verse implicitly frames why Linga-worship is needed: the mind of the paśu is easily drawn into sensory pāśa, so devotion to the Liṅga steadies attention on Pati (Śiva) beyond mere enjoyment.
Shiva-tattva is suggested by contrast: even in a realm of refined beauty and delight, the highest aim is not enjoyment but the transcendence of bondage. Śiva as Pati is the liberating principle that the seeker must remember amid the world’s captivating forms.
The verse points more to inner discipline than a specific rite: cultivating vairāgya and sense-restraint as part of a Pāśupata-oriented approach, so that external beauty does not become bondage and the practitioner remains fit for Liṅga-dhyāna and Śiva-pūjā.