Adhyaya 89: शौचाचारलक्षणम् — सदाचार, भैक्ष्यचर्या, प्रायश्चित्त, द्रव्यशुद्धि, आशौच-निर्णय
स्नानं शौचं तथा गानं रोदनं हसनं तथा यानमभ्यञ्जनं नारी द्यूतं चैवानुलेपनम्
snānaṃ śaucaṃ tathā gānaṃ rodanaṃ hasanaṃ tathā yānamabhyañjanaṃ nārī dyūtaṃ caivānulepanam
沐浴、洁净、歌唱、哭泣、欢笑、出行、涂油按摩与妆饰涂抹、沉溺女色、赌博,以及涂抹香料与膏香——在奉事湿婆的戒行中皆当克制,以免 paśu(被缚之魂)再被牵回 pāśa(系缚),而常向 Pati——大天湿婆归心。
Suta Goswami (narrating Shiva-dharma/pūjā-niyama material to the sages of Naimisharanya)
It lists common activities and indulgences that disturb vrata-focus; restraining them protects ritual purity and steadies the devotee’s mind for Linga-puja, keeping the pashu from slipping into pasha.
By implication, Shiva as Pati is approached through inner and outer discipline; the verse frames worship as a movement from distraction and attachment toward steadiness in Shiva-consciousness.
Vrata-niyama and indriya-nigraha (sense-restraint) aligned with Pashupata-oriented discipline—reducing pleasure-seeking and agitation to support mantra, puja, and meditation on the Linga.