Adhyaya 70: आदिसर्गः—महत्-अहङ्कार-तन्मात्रा-भूतसृष्टिः, ब्रह्माण्डावरणम्, प्रजासर्गः, त्रिमूर्ति-शैवाधिष्ठानम्
हिरण्यमस्य गर्भो ऽभूद् धिरण्यस्यापि गर्भजः तस्माद्धिरण्यगर्भत्वं पुराणे ऽस्मिन्निरुच्यते
hiraṇyamasya garbho 'bhūd dhiraṇyasyāpi garbhajaḥ tasmāddhiraṇyagarbhatvaṃ purāṇe 'sminnirucyate
由彼而生“金胎”(Hiraṇyagarbha,宇宙之胚);又由此金性本原,亦出生其后裔。故此《往世书》阐明何以名为“金胎”之境——指示在主宰帕提(湿婆)统摄下,创造显现之源。
Suta Goswami (narrating the Purana tradition to the sages at Naimisharanya)
It frames creation as emerging from a prior luminous seed (Hiraṇyagarbha), supporting the Shaiva idea that the Linga signifies the unmanifest ground from which manifestation proceeds—so worship returns the pashu (soul) toward Pati (Lord) beyond mere material origin.
By emphasizing the ‘golden womb’ as a named stage of manifestation, it implies a transcendent source that is prior to the embryo of cosmos; in Shaiva Siddhanta terms, Shiva as Pati remains the independent ground while the world-process unfolds as a dependent emergence.
No specific rite is prescribed in this verse; the takeaway is contemplative—using cosmological reflection (srishti-vichara) to loosen pasha (bondage) and orient the practitioner toward Pati, a supportive attitude within Pashupata-oriented Shaiva sadhana.