Viṣṇu at Upamanyu’s Āśrama: Pāśupata Tapas, Darśana of Śiva, and Boons from Devī
भस्मावदातसर्वाङ्गै रुद्रजाप्यपरायणैः / मुण्डितैर्जटिलैः शुद्धैस्तथान्यैश्च शिखाजटैः / सेवितं तापसैर्नित्य ज्ञानिभिर्ब्रह्मचारिभिः
bhasmāvadātasarvāṅgai rudrajāpyaparāyaṇaiḥ / muṇḍitairjaṭilaiḥ śuddhaistathānyaiśca śikhājaṭaiḥ / sevitaṃ tāpasairnitya jñānibhirbrahmacāribhiḥ
此处恒为诸苦行者所至:遍身以圣灰(bhasma)涂抹而皎白,专依鲁陀罗念诵(Rudra-japa);又有清净之人,或剃首,或结髻成结发(jaṭā),或兼具顶髻(śikhā)与结发;并有修苦行者、知真者与坚住梵行(brahmacārin)者常来。
Narratorial voice (Purana narrator describing the holy place and its ascetic community)
Primary Rasa: shanta
Secondary Rasa: vira
By highlighting “jñānins” living with purity, brahmacarya, and disciplined japa, the verse implies that realization of the Self is supported by inner purification and steady practice rather than mere external identity.
Rudra-japa (mantra recitation) is explicit, supported by tapas (austerity), brahmacarya (continence), and śuddhi (purity). These are characteristic aids to Pāśupata-oriented sādhanā—discipline of body and mind directed to Rudra.
Even within a Vaiṣṇava Purāṇa framework, the verse normalizes Rudra-centered practice (Rudra-japa, ash, jaṭā) as legitimate dharmic sādhanā, reflecting the Kurma Purana’s integrative Shaiva–Vaishnava outlook.