Sūrya-vaṃśa Genealogy and the Supremacy of Tapas: Gāyatrī-Japa, Rudra-Darśana, and Śatarudrīya Upadeśa
तं दृष्ट्वा वेदविदुषं मण्डलस्थं सनातनम् / स्वयंभुवमनाद्यन्तं ब्रह्माणं विस्मयं गतः
taṃ dṛṣṭvā vedaviduṣaṃ maṇḍalasthaṃ sanātanam / svayaṃbhuvamanādyantaṃ brahmāṇaṃ vismayaṃ gataḥ
见到他——自生的梵天,通达吠陀,安住于神圣曼荼罗之中,常住不灭、无始无终——他顿时生起深深的惊异。
Narrator (Purāṇic narrator describing the seer’s reaction upon beholding Brahmā)
Primary Rasa: adbhuta
Secondary Rasa: shanta
By describing Brahmā as “without beginning and end” and “eternal,” the verse points to a timeless principle behind manifestation; in Kurma Purana theology this ultimately gestures beyond the creator-form to the unbounded divine reality that creation depends upon.
The image of Brahmā “situated in a maṇḍala” evokes contemplative visualization—seeing the deity in a sacred inner sphere—consistent with Purāṇic dhyāna practices that stabilize the mind through form, mantra, and cosmic symbolism.
While Shiva and Vishnu are not named here, the verse reflects the Purana’s integrative approach: the creator (Brahmā) is presented with transcendent attributes, aligning with the text’s broader tendency to see divine functions (creation, preservation, dissolution) as expressions of one supreme reality honored through both Shaiva and Vaishnava lenses.