Virocana–Bali, Aditi’s Tapas, and the Vāmana–Trivikrama Episode
अथ रथचरणासिशङ्खपाणिं सरसिजोलचनमीशमप्रमेयम् / शरणमुपपयौ स भावयोगात् प्रणतगतिं प्रणिधाय कर्मयोगम्
atha rathacaraṇāsiśaṅkhapāṇiṃ sarasijolacanamīśamaprameyam / śaraṇamupapayau sa bhāvayogāt praṇatagatiṃ praṇidhāya karmayogam
随后,他以“情念瑜伽”(bhāva-yoga)的虔观,归依那不可量的自在主——莲华眼,执螺与剑,足立车上;他以谦恭顶礼为归趋,并坚定安住于“业瑜伽”(karma-yoga),即奉献之行的修持。
Narrator (Purāṇic narrator continuing the account of a devotee taking refuge in Īśvara)
Primary Rasa: shanta
Secondary Rasa: bhakti (treated as shanta-adjacent)
It points to the Supreme as “aprameya” (immeasurable), indicating a reality beyond ordinary mental measurement; realization is approached through disciplined action (karma-yoga) and inward devotional absorption (bhāva-yoga), culminating in surrender.
Two complementary disciplines are named: karma-yoga (actions dedicated and offered with inner steadiness) and bhāva-yoga (devotional contemplation that ripens into absorption). Both are oriented toward śaraṇāgati—taking refuge through humility and prostration.
Although the iconography here is strongly Vaiṣṇava (lotus-eyed, conch in hand), the verse centers on Īśvara as the transcendent Lord approached by yoga and surrender—consistent with the Kurma Purana’s synthetic framing where the one Īśvara is praised through multiple sectarian vocabularies.