Virocana–Bali, Aditi’s Tapas, and the Vāmana–Trivikrama Episode
चतुर्भुजं विशालाक्षं श्रीवत्साङ्कितवक्षसम् / नीलमेघप्रतीकाशं भ्राजमानं श्रियावृतम्
caturbhujaṃ viśālākṣaṃ śrīvatsāṅkitavakṣasam / nīlameghapratīkāśaṃ bhrājamānaṃ śriyāvṛtam
当观想彼:四臂广目,胸有室利跋蹉(Śrīvatsa)之印;光耀如深青雨云,辉煌灿然,并为室利(Lakṣmī)所环拥。
Narrator/Sage describing the dhyāna of Bhagavān (Vishnu/Kūrma as the Supreme Lord)
Primary Rasa: adbhuta
Secondary Rasa: shringara
By prescribing meditation on the Lord’s auspicious form, the verse teaches that the Supreme (Ātman/Iśvara) can be approached as saguna—manifest with divine attributes—so the mind becomes steady and fit for realization.
It highlights dhyāna-yoga through detailed visualization (rūpa-dhyāna): fixing awareness on the Lord’s form—four arms, Śrīvatsa on the chest, cloud-dark radiance, and Śrī (Lakṣmī)—a classic method aligned with Purāṇic bhakti and yogic concentration.
Though Vishnu’s form is described, the Kurma Purana’s broader teaching frames such dhyāna as worship of the one Supreme Iśvara approached through different names and forms—supporting a non-sectarian Shaiva-Vaishnava synthesis.