Kurma Purana — Purva Bhaga, Shloka 60
Svāyambhuva Lineage to Dakṣa; Pṛthu’s Devotion; Pāśupata Saṃnyāsa; Dakṣa–Satī Episode
प्रणम्य पशुभर्तारं भर्तारं कृत्तिवाससम् / हिमवद्दुहिता साभूत् तपसा तस्य तोषिता
praṇamya paśubhartāraṃ bhartāraṃ kṛttivāsasam / himavadduhitā sābhūt tapasā tasya toṣitā
她礼拜了众生之主帕舒帕提——披兽皮的主宰湿婆；因以苦行（tapas）令其欢喜，喜马瓦特之女（帕尔瓦蒂）遂成为他的配偶。
Purāṇic narrator (Vyāsa’s narration in the Kurma Purana’s Purva-bhāga context)
Primary Rasa: shanta
Secondary Rasa: adbhuta
FAQs
It implies that the Supreme is approached through humility and disciplined tapas: devotion and inner purification prepare the seeker for divine grace, a recurring Kurma Purana theme in which realization and divine favor converge.
Tapas (austerity) is highlighted as a Pāśupata-aligned discipline—steady ascetic effort, self-restraint, and focused devotion to Paśupati—by which the mind is refined and the deity is ‘pleased’ (anugraha).
By foregrounding Śiva as Paśupati worthy of reverence within the Kurma Purana, it supports the Purana’s Shaiva–Vaishnava synthesis: devotion to Śiva is upheld as fully consonant with the broader dharmic and yogic vision associated with Lord Kurma’s teachings elsewhere in the text.