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Agni Purana — Mantra-shastra, Shloka 38

वागीश्वरीपूजा

The Worship of Vāgīśvarī

प्राग्वच्च पञ्च ब्रह्माणि बुद्ध्याधारमतो वदे शतभागे तिथिभागे पद्मं लिङ्गाष्टकं दिशि

prāgvacca pañca brahmāṇi buddhyādhāramato vade śatabhāge tithibhāge padmaṃ liṅgāṣṭakaṃ diśi

如前所说,应安置五种梵(pañca-brahma)真言;因此我将宣说用于观修之所依(ādhāra)。于百分之分位——并同样依月日(tithi)之分位——当布置莲华坛(padma-maṇḍala),并于诸方安置八灵相(liṅga-aṣṭaka)。

prākvatas previously
prākvat:
Sambandha (सम्बन्ध/Adverbial)
TypeIndeclinable
Rootprākvat (अव्यय)
Formअव्यय; तुल्यार्थक (as before/like earlier)
caand
ca:
Sambandha (सम्बन्ध/Conjunction)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय; समुच्चय (and)
pañcafive
pañca:
Viśeṣaṇa (विशेषण/Numerical qualifier)
TypeIndeclinable
Rootpañca (अव्यय/संख्या-शब्द)
Formअव्यय; संख्या (five)
brahmāṇiBrahma-forms / brahmans
brahmāṇi:
Karma (कर्म/Object)
TypeNoun
Rootbrahman (प्रातिपदिक)
Formनपुंसकलिङ्ग (n.), प्रथमा/द्वितीया-विभक्ति (Nom./Acc. 1st/2nd), बहुवचन (Plural)
buddhi-ādhāramthe support/base of intellect
buddhi-ādhāram:
Karma (कर्म/Object)
TypeNoun
Rootbuddhi + ādhāra (प्रातिपदिक)
Formनपुंसकलिङ्ग (n.), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Singular)
ataḥtherefore
ataḥ:
Hetu (हेतु/Cause)
TypeIndeclinable
Rootataḥ (अव्यय)
Formअव्यय; हेत्वर्थक (therefore/from that)
vadeI say/declare
vade:
Kriyā (क्रिया/Verb)
TypeVerb
Rootvad (धातु)
Formलट् (Present), परस्मैपद, उत्तमपुरुष (1st person), एकवचन (Singular)
śata-bhāgein a hundredth part
śata-bhāge:
Adhikaraṇa (अधिकरण/Location)
TypeNoun
Rootśata + bhāga (प्रातिपदिक)
Formपुंलिङ्ग (m.), सप्तमी-विभक्ति (Locative/7th), एकवचन (Singular)
tithi-bhāgein the tithi-portion (lunar-day division)
tithi-bhāge:
Adhikaraṇa (अधिकरण/Location)
TypeNoun
Roottithi + bhāga (प्रातिपदिक)
Formपुंलिङ्ग (m.), सप्तमी-विभक्ति (Locative/7th), एकवचन (Singular)
padmama lotus
padmam:
Karma (कर्म/Object)
TypeNoun
Rootpadma (प्रातिपदिक)
Formनपुंसकलिङ्ग (n.), प्रथमा/द्वितीया-विभक्ति (Nom./Acc. 1st/2nd), एकवचन (Singular)
liṅga-aṣṭakaman octad of liṅgas
liṅga-aṣṭakam:
Karma (कर्म/Object)
TypeNoun
Rootliṅga + aṣṭaka (प्रातिपदिक)
Formनपुंसकलिङ्ग (n.), प्रथमा/द्वितीया-विभक्ति (Nom./Acc. 1st/2nd), एकवचन (Singular)
diśiin a direction
diśi:
Adhikaraṇa (अधिकरण/Location)
TypeNoun
Rootdiś (प्रातिपदिक)
Formस्त्रीलिङ्ग (f.), सप्तमी-विभक्ति (Locative/7th), एकवचन (Singular)

Lord Agni (narrating to Sage Vasiṣṭha, as per the common Agni Purāṇa dialogue frame)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Shilpa","practical_application":"Mandala/linga installation protocol: placing pañca-brahma mantras, defining dhyāna-ādhāra, and positioning eight liṅgas directionally within a measured lotus diagram.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Pañca-brahma vinyāsa and liṅga-aṣṭaka dik-sthāpana in padma-maṇḍala","lookup_keywords":["pañca-brahma","ādhāra","padma-maṇḍala","liṅga-aṣṭaka","tithi-bhāga"],"quick_summary":"Establish the pañca-brahma mantra foundation, construct a precisely divided lotus mandala (hundred-part/tithi-based divisions), and place eight liṅgas in the directions as the meditative and ritual support."}

Concept: Meditation (dhyāna) requires an ādhāra: mantra (pañca-brahma) + measured sacred geometry (padma-maṇḍala) + directional embodiment (liṅga-aṣṭaka).

Application: For consecration and advanced pūjā, integrate mantra-nyāsa with exact spatial division to stabilize visualization and ritual efficacy.

Khanda Section: Puja-vidhi / Linga-Puja and Mandala-Vidhi (Iconography & Ritual Diagram Instructions)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A lotus mandala divided into fine measured parts; pañca-brahma mantras inscribed/placed as the base; eight liṅgas positioned in the eight directions around the center, forming a meditative support diagram.","kerala_mural_prompt":"Kerala mural, large stylized padma-maṇḍala with fine grid divisions, mantra syllables around, eight small liṅgas at cardinal and intercardinal points, priest indicating ādhāra for dhyāna, ornate borders","tanjore_prompt":"Tanjore painting, central lotus mandala with gold-leaf radiance, eight liṅgas around, pañca-brahma inscriptions in decorative cartouches, temple sanctum ambiance, rich jewel tones","mysore_prompt":"Mysore painting, diagrammatic clarity: hundred-part division lines, tithi markers, labeled directions, eight liṅgas placed precisely, instructional aesthetic with elegant colors","mughal_miniature_prompt":"Mughal miniature, top-down view of a ritual diagram on a cloth, calligraphic mantra labels, eight liṅgas as small black stone forms, attendants holding measuring cords, meticulous detail"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"contemplative"}

Sandhi Resolution Notes: prāgvacca = prākvat ca; buddhyādhāramato = buddhi-ādhāram ataḥ.

Related Themes: Agni Purana earlier mention of pañca-brahma and ādhāra ("prāgvat") within the same pūjā/maṇḍala sequence

P
Pañcabrahma (fivefold Brahmā-mantras / pañcabrahma set)
P
Padma-maṇḍala (lotus diagram)
L
Liṅga-aṣṭaka (eight liṅgas)
D
Diś (directions)
T
Tithi (lunar day)

FAQs

It gives mandala-vidhi: how to construct a lotus-diagram (padma-maṇḍala) using precise divisions (hundred-part and tithi-based measures) and how to position the liṅga-aṣṭaka (eight liṅgas) in the directional quarters as part of Śaiva worship.

It preserves practical temple-ritual technology—diagrammatic geometry (maṇḍala), mantra-sets (pañcabrahma), calendrical ritual timing (tithi), and iconographic placement rules—showing the Agni Purāṇa’s role as a compact manual of applied religious sciences.

Correct directional and diagrammatic placement is treated as aligning worship with cosmic order (dik and kāla), making the liṅga-pūjā ‘properly installed’ in meditation and ritual, thereby enhancing purity, concentration, and the merit (puṇya) of the observance.