Previous Verse
Next Verse

Agni Purana — Mantra-shastra, Shloka 13

सकलादिमन्त्रोद्धारः (Sakalādi-mantra-uddhāra) — Chapter Colophon/Transition

नामाद्यं सवराकं स्याद्देवाच्छक्रसमन्वितम् शिरो हतं तत्पुरुषेण ओमाद्यञ्च नमो ऽन्तकम्

nāmādyaṃ savarākaṃ syāddevācchakrasamanvitam śiro hataṃ tatpuruṣeṇa omādyañca namo 'ntakam

此咒当以音节“na”并其元音(svara)为始;与“deva”一词相连,并具足所规定之“śakra”要素。其“头”(śiras)分应以Tatpuruṣa咒加以安置;全咒以“Oṃ”起,以“namaḥ”终。

नाम-आद्यम्beginning with ‘nāma’
नाम-आद्यम्:
Karma (कर्म/Object)
TypeAdjective
Rootनाम (प्रातिपदिक) + आदि (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; विशेषण—(मन्त्र/पद) ‘नाम’ से आरम्भ होने वाला
स-वराकम्with the vowel/intonation (svara)
स-वराकम्:
Karma (कर्म/Object)
TypeAdjective
Rootस (अव्यय/उपसर्गार्थ ‘with’) + वराक (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; विशेषण—‘वर’/स्वर-युक्त (with a vowel/intonation) (पाठानुसार)
स्यात्should be
स्यात्:
Kriya (क्रिया/Predicate)
TypeVerb
Rootअस् (धातु)
Formविधिलिङ्, प्रथमपुरुष, एकवचन; परस्मैपद
देवात्from/than ‘deva’
देवात्:
Apadana (अपादान/Ablative)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी (5th/Ablative), एकवचन; अपादान (source)
शक्र-समन्वितम्combined with ‘śakra’
शक्र-समन्वितम्:
Karma (कर्म/Object)
TypeAdjective
Rootशक्र (प्रातिपदिक) + समन्वित (कृदन्त; सम्+अन्वि/इ धातु से)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; भूतकृदन्त (past participle sense) ‘युक्त/समेत’
शिरःhead
शिरः:
Karma (कर्म/Object)
TypeNoun
Rootशिरस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; विषय/कर्म-निर्देश (contextual)
हतम्struck/removed
हतम्:
Karma (कर्म/Object-complement)
TypeAdjective
Rootहन् (धातु) → हत (कृदन्त)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; क्त-प्रत्ययान्त भूतकृदन्त (PPP)
तत्पुरुषेणby the tatpuruṣa (compound/word)
तत्पुरुषेण:
Karana (करण/Instrument)
TypeNoun
Rootतत्पुरुष (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/Instrumental), एकवचन; करण (instrument/means)
ओम्-आद्यम्beginning with ‘oṃ’
ओम्-आद्यम्:
Karma (कर्म/Object)
TypeAdjective
Rootओम् (अव्यय/प्रणव) + आदि (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; विशेषण—‘ओम्’ से आरम्भ होने वाला
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक (conjunction)
नमःsalutation
नमः:
Sambandha (सम्बन्ध/Particle)
TypeIndeclinable
Rootनमस् (प्रातिपदिक)
Formअव्यय (नमः-शब्दः); नमस्कारार्थक निपात (salutatory particle)
अन्तकम्Antaka (the ender/death; epithet)
अन्तकम्:
Karma (कर्म/Object)
TypeNoun
Rootअन्तक (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; कर्म (object)

Lord Agni (instructing sage Vasiṣṭha in ritual/mantra procedure)

Vidya Category: {"primary_vidya":"Mantra","secondary_vidya":"Vyakarana","practical_application":"Mantra-śodhana/formation rules for a Tatpuruṣa-linked Śiva/Puruṣa mantra: specifying initial syllable, additions (deva, śakra-element), and framing with Oṃ…namaḥ for nyāsa and japa.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Mantra-śodhana: na-ādi, deva-yukta, śakra-samanvita; Oṃ-ādi namaḥ-antaka (Tatpuruṣa-śiras)","lookup_keywords":["mantra-śodhana","Tatpuruṣa","śiras-nyāsa","Oṃ-ādi namaḥ","na-ādi"],"quick_summary":"Form the mantra with a prescribed na-initial syllable and adjuncts (deva and śakra-element), apply the Tatpuruṣa ‘head’ placement in nyāsa, and frame the mantra from Oṃ to namaḥ."}

Concept: Śabda (mantra) is effective when correctly constituted (varṇa/svara order) and ritually installed (nyāsa) with proper framing (praṇava and namaḥ).

Application: Use the rule-set as a checklist before japa/nyāsa: correct seed/initial, prescribed epithets, correct limb-placement (śiras), and proper opening/closing.

Khanda Section: Mantra-vidhi (Nyāsa and Mantra-śodhana for Purusha/Śiva-mantras)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A practitioner performing śiras-nyāsa while reciting a mantra framed by Oṃ and namaḥ; syllables (na, deva, śakra-element) shown as written phonetic components around the head region.","kerala_mural_prompt":"Kerala mural: yogic figure seated, right hand touching head for śiras-nyāsa, stylized Sanskrit syllables floating (Oṃ, na, deva, namaḥ), temple lamp glow, flat earthy palette.","tanjore_prompt":"Tanjore: seated sādhaka with ornate aureole, gold-highlighted Oṃ above, ‘namaḥ’ below, decorative script panels showing na-ādi and deva/śakra components, rich textile details.","mysore_prompt":"Mysore: diagrammatic instructional plate—human outline with head labeled śiras, arrows indicating nyāsa placement, mantra components in neat Devanāgarī, soft colors and clarity.","mughal_miniature_prompt":"Mughal miniature: scholar-priest in a pavilion writing mantra components on a folio, then touching the head in nyāsa; delicate calligraphy borders, subdued jewel tones."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Yaman","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: स्याद्देवाच्छक्रसमन्वितम् = स्यात् देवात् शक्रसमन्वितम्; ओमाद्यञ्च = ओम्-आद्यम् च; नमो ऽन्तकम् = नमः अन्तकम्.

Related Themes: Agni Purana 317 (mantra-vidhi; nyāsa and mantra-śodhana sequence)

O
Oṃ
N
Namaḥ
T
Tatpuruṣa
Ś
Śakra (Indra)
D
Deva

FAQs

It gives a technical rule for constructing/applying a mantra: how it begins (with ‘na’ and Oṃ), how it ends (with namaḥ), and how the ‘śiras’ (head) nyāsa is to be applied using the Tatpuruṣa-mantra.

Beyond myths and dharma, the Agni Purana preserves precise tantric-ritual mechanics—mantra formation, nyāsa placement, and prescribed syllabic combinations—showing its scope as a practical ritual handbook.

Correct mantra structure and nyāsa are taught as safeguards for efficacy and purity: aligning sound, invocation (Oṃ…namaḥ), and bodily placement (śiras with Tatpuruṣa) to support focused worship and purification.