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Agni Purana — Agneya-vidya, Shloka 48

Chapter 24 — कुण्डनिर्माणादिविधिः

Procedure for Constructing the Fire-pit and Related Rites

लिङ्गं सङ्क्रामयेत् पश्चादात्मस्थं पूर्वसंस्कृतम् विभक्तेन्द्रियसंस्थानं क्रमाद् वृद्धं विचिन्तयेत्

liṅgaṃ saṅkrāmayet paścādātmasthaṃ pūrvasaṃskṛtam vibhaktendriyasaṃsthānaṃ kramād vṛddhaṃ vicintayet

随后,应使先前由修持所净炼的灵细身(liṅga)迁入并安住于自我之中;并应依次观想此灵细身由诸根(分化的感官能力)所构成的结构,以及其随阶段而渐次增长的发展。

liṅgamliṅga (subtle sign/body)
liṅgam:
Karma (कर्म)
TypeNoun
Rootliṅga (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Singular)
saṅkrāmayetshould transfer/move
saṅkrāmayet:
Kriyā (क्रिया)
TypeVerb
Rootsaṅ-√kram (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), एकवचन (Singular), परस्मैपद
paścātafterwards
paścāt:
Kāla/Adhikaraṇa (काल/अधिकरण)
TypeIndeclinable
Rootpaścāt (अव्यय)
Formअव्यय (Indeclinable), काल/क्रमवाचक क्रियाविशेषण (temporal/sequential adverb)
ātma-sthamsituated in the self
ātma-stham:
Karma (कर्म)
TypeAdjective
Rootātman + stha (प्रातिपदिक)
Formतत्पुरुष-समास (locative relation: आत्मनि स्थितम्), नपुंसकलिङ्ग, द्वितीया, एकवचन; विशेषण (qualifying liṅgam)
pūrva-saṃskṛtampreviously consecrated/prepared
pūrva-saṃskṛtam:
Karma (कर्म)
TypeAdjective
Rootpūrva + saṃskṛta (कृदन्त/प्रातिपदिक)
Formतत्पुरुष-समास (पूर्वेण संस्कृतम्), नपुंसकलिङ्ग, द्वितीया, एकवचन; विशेषण (qualifying liṅgam)
vibhakta-indriya-saṃsthānamthe arrangement/structure of the differentiated senses
vibhakta-indriya-saṃsthānam:
Karma (कर्म)
TypeNoun
Rootvibhakta + indriya + saṃsthāna (प्रातिपदिक)
Formबहुपद-तत्पुरुष-समास (विभक्तानाम् इन्द्रियाणां संस्थानम्), नपुंसकलिङ्ग, द्वितीया, एकवचन
kramātin sequence
kramāt:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootkrama (प्रातिपदिक)
Formपञ्चमी-एकवचनरूपेण अव्ययीभूतम् (ablatival adverb), क्रमवाचक (in due order)
vṛddhamgrown/increased
vṛddham:
Karma (कर्म)
TypeAdjective
Rootvṛddha (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन; विशेषण (qualifying saṃsthānam/liṅgam as context)
vicintayetshould contemplate/visualize
vicintayet:
Kriyā (क्रिया)
TypeVerb
Rootvi-√cint (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), एकवचन, परस्मैपद

Lord Agni (instructional narration to the sage Vasiṣṭha, typical Agni Purāṇa dialogue frame)

Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Yoga","practical_application":"Guided contemplation on the subtle-body (liṅga-śarīra) and its sense-faculty structure to support detachment, meditative absorption, and understanding of transmigration.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Liṅga-śarīra saṅkramaṇa and indriya-vibhāga contemplation","lookup_keywords":["liṅga-śarīra","saṅkramaṇa","indriya-vibhāga","saṃskāra","krama-vṛddhi"],"quick_summary":"Meditatively ‘transfer’ the refined subtle body into Self-abidance and contemplate, stepwise, how the subtle body is structured by differentiated sense-faculties and develops through stages."}

Concept: Liṅga-śarīra (subtle body) as saṃskāra-bearing vehicle; contemplation of indriya-structure and progressive manifestation to stabilize ātma-niṣṭhā and loosen saṃsāra-identification.

Application: Use sequential visualization (krama-vicāra) of indriyas and subtle-body growth as a meditative ladder: from sensory differentiation to witnessing awareness.

Khanda Section: Yoga / Sāṅkhya (Subtle-body doctrine; transmigration and contemplation practice)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A yogin seated in meditation visualizing a luminous subtle body with differentiated sense-faculties (indriyas) arranged in order, gradually dissolving into a radiant Self at the heart/crown.","kerala_mural_prompt":"Kerala temple mural style, seated yogin with stylized lotus seat, glowing liṅga-śarīra as a translucent golden silhouette, indriyas shown as small symbolic lotuses around the body, deep earthy reds and greens, sacred aura and minimal background.","tanjore_prompt":"Tanjore painting, central meditating yogin with embossed gold halo, subtle body rendered as a second golden outline, indriya symbols in a circular mandala, rich jewel tones, ornate frame motifs.","mysore_prompt":"Mysore painting, instructional diagram-like composition: yogin in padmāsana, labeled indriya positions implied by neat icon placement, soft shading, delicate lines, calm interior setting.","mughal_miniature_prompt":"Mughal miniature, refined courtly palette, yogin in a quiet garden pavilion, translucent double-body effect for liṅga-śarīra, small symbolic icons for senses arranged sequentially, fine detailing and margins."}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"contemplative"}

Sandhi Resolution Notes: paścādātmastham → paścāt + ātma-stham; vibhaktendriyasaṃsthānam → vibhakta + indriya + saṃsthānam

Related Themes: Agni Purana 24 (Yoga/Sāṅkhya subtle-body and dhyāna sections)

A
Atman
L
Linga-sharira
I
Indriyas

FAQs

It teaches a yogic-analytical practice: to internalize (establish in the Self) the liṅga-śarīra refined by discipline and to contemplate the ordered structure and functioning of the differentiated sense-faculties (indriyas) within the subtle body.

Alongside ritual and worldly sciences, the Agni Purāṇa also preserves Sāṅkhya-Yoga style psychology—mapping the subtle body, sense-faculties, and contemplative method—showing its broad coverage from metaphysics to practical meditation.

By re-centering the transmigratory subtle body in the ātman and discerning the indriyas sequentially, one cultivates detachment and clarity, weakening identification with sensory operations and supporting liberation-oriented insight.