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Agni Purana — Agneya-vidya, Shloka 15

Chapter 24 — कुण्डनिर्माणादिविधिः

Procedure for Constructing the Fire-pit and Related Rites

त्रिकं द्व्यङ्गुलकं तत् स्यान्मध्यन्तस्य सुशोभनम् आयामस्तत्समस्तस्य मध्यनिम्नः सुशोभनः

trikaṃ dvyaṅgulakaṃ tat syānmadhyantasya suśobhanam āyāmastatsamastasya madhyanimnaḥ suśobhanaḥ

此“三分之量”(tri-ka)当为二指节(aṅgula),能令中段与末段皆显端好。整体长度须合乎比例,而中央微微下凹,尤为悦目。

त्रिकम्a triad/threefold part
त्रिकम्:
Karta (कर्ता)
TypeNoun
Rootत्रिक (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; nominative singular
द्व्यङ्गुलकम्two-finger (in measure)
द्व्यङ्गुलकम्:
Visheshana (विशेषण)
TypeAdjective
Rootद्वि + अङ्गुलक (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; agrees with त्रिकम्; द्विगु ‘two-finger(-measure)’
तत्that
तत्:
Karta (कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; pronoun
स्यात्should be
स्यात्:
Kriya (क्रिया)
TypeVerb
Rootअस् (धातु)
Formविधिलिङ् (optative), परस्मैपद, प्रथमपुरुष (3rd), एकवचन
मध्यन्तस्यof the middle and the end
मध्यन्तस्य:
Sambandha (सम्बन्ध)
TypeNoun
Rootमध्य + अन्त (प्रातिपदिक)
Formनपुंसकलिङ्ग, षष्ठी (6th/षष्ठी), एकवचन; genitive singular; द्वन्द्व ‘middle and end’ (as a combined section)
सुशोभनम्very beautiful
सुशोभनम्:
Pradhana-visheshana (प्रधान-विशेषण)
TypeAdjective
Rootसु + शोभन (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; predicate adjective; कर्मधारय ‘very beautiful’
आयामःlength
आयामः:
Karta (कर्ता)
TypeNoun
Rootआयाम (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; nominative singular
तत्समस्तस्यof that whole (object)
तत्समस्तस्य:
Sambandha (सम्बन्ध)
TypeNoun
Rootतद् + समस्त (प्रातिपदिक)
Formनपुंसकलिङ्ग, षष्ठी (6th/षष्ठी), एकवचन; genitive singular; तत्पुरुष ‘of that whole/entire (thing)’
मध्यनिम्नःdepressed in the middle
मध्यनिम्नः:
Pradhana-visheshana (प्रधान-विशेषण)
TypeAdjective
Rootमध्य + निम्न (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; predicate adjective; तत्पुरुष ‘sunken in the middle’
सुशोभनःvery beautiful
सुशोभनः:
Pradhana-visheshana (प्रधान-विशेषण)
TypeAdjective
Rootसु + शोभन (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; agrees with आयामः; कर्मधारय ‘very beautiful’

Lord Agni (instructional narration to Vasiṣṭha)

Vidya Category: {"primary_vidya":"Shilpa","secondary_vidya":"Vastu","practical_application":"Guidance on a specific proportional module (triad-measure) and aesthetic finishing: ensuring pleasing middle/end proportions and introducing a controlled central depression for visual refinement and fit.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Description","entry_title":"Trika-māna and Madhya-nimnatā (triad measure and central depression)","lookup_keywords":["trika","dvy-aṅgula","madhya","anta","nimna"],"quick_summary":"Adopt a trika module of two aṅgulas for the middle and end portions; keep total length proportionate and add a gentle central depression to enhance appearance and seating."}

Concept: Saundarya arises from proportion plus subtle modulation (like controlled concavity), not from size alone.

Application: In carving/turning, maintain module-based measures and introduce slight concavity at the center to improve visual rhythm and functional seating.

Khanda Section: Vastu-shastra / Shilpa-shastra (Iconography and proportional canons)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A component is shown in profile with middle and end segments marked; a gentle central depression is illustrated, with a two-aṅgula trika module indicated by a measuring scale.","kerala_mural_prompt":"Kerala mural, profile diagram integrated into a workshop scene, artisan smoothing a shallow central concavity, strong contour lines, warm earthy palette.","tanjore_prompt":"Tanjore painting, stylized profile of the crafted piece with gold accents along the curvature, artisan tools (chisel, file) depicted, ornate borders.","mysore_prompt":"Mysore style, didactic illustration with labeled madhya/anta and nimna, precise linework, soft colors, manuscript-like clarity.","mughal_miniature_prompt":"Mughal miniature, close-up of artisan finishing a concave center with fine tools, detailed textures of stone/wood, subtle shading and perspective."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: द्व्यङ्गुलकम् = द्वि + अङ्गुलकम्; स्यात् मध्यन्तस्य = स्यात् + मध्यन्तस्य; आयामस् तत्समस्तस्य = आयामः + तत्समस्तस्य.

Related Themes: Agni Purana 24 (māna modules and finishing rules in adjacent verses)

A
Agni
V
Vastu-shastra
S
Shilpa-shastra
A
Angula

FAQs

It gives a shilpa/vaastu proportional rule: a specific threefold unit is set to two aṅgulas, and it prescribes pleasing form-features like correct overall length and a slight central concavity.

Beyond theology, the Agni Purana preserves practical design canons—standardized measurements and aesthetic rules used in sculpture/temple arts—showing its coverage of technical sciences (śilpa-vidyā) alongside ritual and myth.

Correct proportions in sacred images/structures are traditionally held to support auspiciousness and proper worship, helping ensure that devotional installations are ritually fit and spiritually efficacious.