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Agni Purana — Agneya-vidya, Shloka 11

Chapter 23 — पूजाविधिकथनम्

The Account of the Rules of Worship

धर्मं ज्ञानं च वैराग्यमैश्वर्यं वह्निदिङ्मुखाः अधर्मादीनि गात्राणि पूर्वादौ योगपीठके

dharmaṃ jñānaṃ ca vairāgyamaiśvaryaṃ vahnidiṅmukhāḥ adharmādīni gātrāṇi pūrvādau yogapīṭhake

应将法(dharma)、智(jñāna)、离欲(vairāgya)与自在主权(aiśvarya)安置于火方之面及其余诸方之面;而非法(adharma)等则作为诸肢体,自东方起次第安置于瑜伽座(yogapīṭha)之上。

धर्मम्dharma / righteousness
धर्मम्:
Karma (कर्म)
TypeNoun
Rootधर्म (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (कर्म), एकवचन; Masculine, Accusative, Singular
ज्ञानम्knowledge
ज्ञानम्:
Karma (कर्म)
TypeNoun
Rootज्ञान (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; Neuter, Accusative, Singular
and
:
Sambandha (सम्बन्ध/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
वैराग्यम्dispassion
वैराग्यम्:
Karma (कर्म)
TypeNoun
Rootवैराग्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; Neuter, Accusative, Singular
ऐश्वर्यम्lordship / sovereignty
ऐश्वर्यम्:
Karma (कर्म)
TypeNoun
Rootऐश्वर्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; Neuter, Accusative, Singular
वह्नि-दिक्-मुखाःhaving fire and the directions as faces (i.e., facing fire and the quarters)
वह्नि-दिक्-मुखाः:
Karta (कर्ता)
TypeAdjective
Rootवह्नि (प्रातिपदिक) + दिक् (प्रातिपदिक) + मुख (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, बहुवचन; Masculine, Nominative, Plural; समासः—तत्पुरुषः (दिकां मुखानि येषां ते)
अधर्म-आदीनिbeginning with adharma (etc.)
अधर्म-आदीनि:
Karma (कर्म)
TypeAdjective
Rootअधर्म (प्रातिपदिक) + आदि (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, बहुवचन; Neuter, Accusative, Plural; समासः—तत्पुरुषः (अधर्मः आदिः येषां तानि)
गात्राणिlimbs / members
गात्राणि:
Karma (कर्म)
TypeNoun
Rootगात्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, बहुवचन; Neuter, Accusative, Plural
पूर्व-आदौbeginning with the east
पूर्व-आदौ:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootपूर्व (प्रातिपदिक) + आदि (प्रातिपदिक)
Formअव्ययीभाव-समास, अव्ययवत् प्रयोगः; Locative-sense adverb: 'starting from the east'
योग-पीठकेin the yogic seat / on the yoga-pedestal
योग-पीठके:
Adhikarana (अधिकरण)
TypeNoun
Rootयोग (प्रातिपदिक) + पीठक (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति (अधिकरण), एकवचन; Neuter, Locative, Singular; समासः—तत्पुरुषः

Lord Agni (narrating Agni Purana’s ritual-yogic schema to the sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Directional nyāsa on the yogapīṭha: mapping virtues (dharma, jñāna, vairāgya, aiśvarya) to dik-faces and mapping their opposites as limbs to stabilize visualization and ritual purity before pūjā.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Yogapīṭha-diknyāsa of virtues and limbs","lookup_keywords":["yogapitha","diknyasa","dharma-jnana-vairagya-aishvarya","adharma","anganyasa"],"quick_summary":"Assign dharma–jñāna–vairāgya–aiśvarya to the directional faces (beginning with the fire-direction) and place adharma etc. as limbs from the east on the yogic seat, creating a moral-cosmic map for stable worship."}

Concept: Ethical-gnostic qualities are treated as spatial powers; their placement externalizes inner cultivation and guards against adharma through ritual cognition.

Application: Use nyāsa as a checklist: establish dharma/jñāna/vairāgya/aiśvarya first, then consciously reject their opposites while entering worship.

Khanda Section: Yoga-vidya / Devata-Anganyasa and Yogapitha (Tantric-ritual mapping of virtues and directions)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A ritual yogapīṭha diagram with directional faces; virtues inscribed at the fire-direction and other quarters, and limbs labeled from the east with adharma etc., shown as a tantric mapping around a central seat.","kerala_mural_prompt":"Kerala temple mural style, flat earthy reds and greens, a square yogapīṭha with dik-faces, Sanskrit labels for dharma jñāna vairāgya aiśvarya, subtle flame motif for agni-direction, priest performing nyāsa gestures","tanjore_prompt":"Tanjore painting with gold leaf borders, stylized mandala-yogapīṭha on a pedestal, embossed quarter-panels with virtue inscriptions, rich ornamentation, lamp-lit sanctum ambience","mysore_prompt":"Mysore painting style, clean linework instructional diagram: yogapīṭha with compass directions, labeled placements for virtues and limb-assignments, a sādhaka seated doing kara-nyāsa","mughal_miniature_prompt":"Mughal miniature, courtly precision: a scholar-priest over a painted mandala on the floor, directional cartouches naming virtues, delicate architectural interior, fine calligraphy"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: वैराग्यमैश्वर्यम् = वैराग्यम् + ऐश्वर्यम्; वह्निदिङ्मुखाः = वह्नि + दिक् + मुखाः; अधर्मादीनि = अधर्म + आदीनि; पूर्वादौ = पूर्व + आदौ; योगपीठके = योग + पीठके

Related Themes: Agni Purana 23 (Yoga-vidyā: nyāsa, yogapīṭha, maṇḍala-pūjā sequence)

A
Agni
D
Dharma
J
Jñāna
V
Vairāgya
A
Aiśvarya

FAQs

It teaches a nyāsa-style assignment on the yogapīṭha: placing core virtues (dharma, jñāna, vairāgya, aiśvarya) into directional “faces,” and mapping opposing factors (starting with adharma) onto the limbs as part of a ritual-yogic diagram practice.

Beyond narrative theology, it preserves applied ritual-technology—directional mandala logic, yogapīṭha construction, and virtue/limb correspondences—showing the Agni Purana’s coverage of practical yoga-tantra procedures alongside dharma and philosophy.

By ritually installing dharma and allied powers into the directional field and relegating adharma to a controlled limb-mapping, the practitioner symbolically orders the inner body-mind cosmos, supporting purification, steadiness in practice, and alignment with dharmic merit.