HomeVaraha PuranaAdhyaya 2Shloka 49
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Varaha Purana 2.49 — Adhyaya 2, Shloka 49

Cosmogony and the Ninefold Creation: Rudra’s Origin and the Prelude to the Sāvitrī–Veda Narrative

तथोक्तोऽसौ द्विधा स्त्रीत्वं पुरुषत्वं चकार सः । बिभेद पुरुषत्वं च दशधा चैकधा च सः । ततस्त्वेकादश ख्याता रुद्रा ब्रह्मसमुद्भवाः ॥ २.४८ ॥

tathokto 'sau dvidhā strītvaṃ puruṣatvaṃ cakāra saḥ | bibheda puruṣatvaṃ ca daśadhā caikadhā ca saḥ | tatastv ekādaśa khyātā rudrā brahmasamudbhavāḥ || 2.48 ||

Được dạy như vậy, Ngài tự làm mình thành hai: tính nữ và tính nam. Rồi Ngài phân chia nguyên lý nam thành mười phần, và thêm một phần nữa. Từ đó, mười một vị Rudra được biết đến, phát sinh từ Phạm Thiên.

तथाthus
तथा:
क्रियाविशेषण (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootतथा (अव्यय)
Formप्रकारवाचक-अव्ययम् (adverb: in that manner)
उक्तःhaving been told
उक्तः:
कर्ता-विशेषण (Predicative participle)
TypeVerb
Rootवच् (धातु) + क्त (कृदन्त)
Formभूतकर्मणि कृदन्तः (PPP/क्त), पुंलिङ्ग, प्रथमा, एकवचन
असौhe (that one)
असौ:
कर्ता (Karta/Subject)
TypeNoun
Rootअसद्/अदस् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; सर्वनाम
द्विधाinto two parts
द्विधा:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootद्विधा (अव्यय)
Formसंख्याप्रकारवाचक-अव्ययम् (adverb: in two ways)
स्त्रीत्वम्womanhood
स्त्रीत्वम्:
कर्म (Karma/Object)
TypeNoun
Rootस्त्रीत्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन
पुरुषत्वम्manhood
पुरुषत्वम्:
कर्म (Karma/Object)
TypeNoun
Rootपुरुषत्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन
चकारmade
चकार:
क्रिया (Action/क्रिया)
TypeVerb
Rootकृ (धातु)
Formलिट् (Perfect), प्रथमपुरुष, एकवचन; परस्मैपदम्
सःhe
सः:
कर्ता (Karta/Subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; सर्वनाम
बिभेदsplit/divided
बिभेद:
क्रिया (Action/क्रिया)
TypeVerb
Rootभिद् (धातु)
Formलिट् (Perfect), प्रथमपुरुष, एकवचन; परस्मैपदम्
पुरुषत्वम्manhood
पुरुषत्वम्:
कर्म (Karma/Object)
TypeNoun
Rootपुरुषत्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन
and
:
समुच्चय (Coordinator/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्ययम् (conjunction)
दशधाinto ten parts
दशधा:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootदशधा (अव्यय)
Formसंख्याप्रकारवाचक-अव्ययम् (adverb: tenfold)
and
:
समुच्चय (Coordinator)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्ययम् (conjunction)
एकधाinto one part
एकधा:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootएकधा (अव्यय)
Formसंख्याप्रकारवाचक-अव्ययम् (adverb: singly/onefold)
and
:
समुच्चय (Coordinator)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्ययम् (conjunction)
सःhe
सः:
कर्ता (Karta/Subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; सर्वनाम
ततःthen
ततः:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootततः (अव्यय)
Formअपादान/क्रमवाचक-अव्ययम् (adverb: then/from that)
तुindeed
तु:
निपात (Particle/निपात)
TypeIndeclinable
Rootतु (अव्यय)
Formविरोध/अवधारणार्थक-अव्ययम् (particle: but/indeed)
एकादशeleven
एकादश:
कर्ता-विशेषण (Subject qualifier)
TypeAdjective
Rootएकादश (संख्या-प्रातिपदिक)
Formसंख्यावाचक-विशेषणम्; पुंलिङ्ग, प्रथमा, बहुवचन (रुद्राः इति विशेष्ये)
ख्याताःwere known/called
ख्याताः:
विधेय (Predicate/विधेय)
TypeVerb
Rootख्या (धातु) + क्त (कृदन्त)
Formभूतकर्मणि कृदन्तः (PPP/क्त), पुंलिङ्ग, प्रथमा, बहुवचन
रुद्राःRudras
रुद्राः:
कर्ता (Karta/Subject)
TypeNoun
Rootरुद्र (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन
ब्रह्मसमुद्भवाःborn from Brahmā
ब्रह्मसमुद्भवाः:
कर्ता-विशेषण (Subject qualifier)
TypeAdjective
Rootब्रह्म-समुद्भव (प्रातिपदिक; समास)
Formपुंलिङ्ग, प्रथमा, बहुवचन; विशेषणम्; समासः—तत्पुरुषः (ब्रह्मणः समुद्भवाः = from Brahmā arisen)

Varāha (default dialogue framework; speaker not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor","bhu_devi_state":"curious"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The verse frames cosmogony as differentiation of a single principle into complementary polarities (stritva/purushatva) and further functional partitioning (tenfold/onefold), yielding the Rudra plurality—an Upanishadic-style move from unity to many within Brahmā’s emanation scheme.","yajna_varaha_imagery":"Creation as a ritual-like ‘division’ (vibhāga) of principles: the tenfold masculine partition evokes the ten prāṇas/ten directions motif; the ‘one’ suggests the unifying Rudra principle from which the eleven are counted.","vedantic_connection":"Bheda within abheda: multiplicity (eleven Rudras) arises from a single source without negating underlying unity; aligns with Purāṇic Sāṅkhya-tinged emanation and Vedāntic one-many articulation."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"cosmology/metaphysics","core_concept":"From a single source, polarity and plurality emerge through ordered differentiation.","practical_application":"Contemplate unity behind diversity; read deity-multiplicity as functional manifestations rather than competing absolutes."}

Subject Matter: ["Cosmology","Genealogy of deities","Puranic cosmogony"]

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: cosmic/primordial setting

Related Themes: Varāha Purāṇa 2.2.49 (transition to yuga-mahātmya); Varāha Purāṇa 2.2.51ff (Svāyambhuva Manu genealogy)

Visual Art Cues: {"scene_description":"A schematic cosmogonic tableau: Brahmā as source, from whom a bifurcation into feminine and masculine principles appears, then a further tenfold and onefold division culminating in eleven Rudra forms radiating outward.","item_prompts":["Brahmā seated on lotus","split into feminine/masculine emanations","ten rays/figures plus one central figure","eleven Rudra icons with tridents/serpents/ash marks (stylized)","cosmic backdrop with mandala geometry"],"kerala_mural_prompt":"Kerala mural style, Brahmā on lotus, flat iconic emanation diagram, eleven Rudras in symmetric arc, rich reds/ochres/greens, bold outlines, minimal depth.","tanjore_prompt":"Tanjore style, central Brahmā with ornate arch, gold-leaf halos for eleven Rudras, jewel-like embellishments, symmetrical composition emphasizing divine genealogy.","mysore_prompt":"Mysore painting style, delicate linework, soft shading, Brahmā luminous, emanations as translucent forms, refined ornaments, calm cosmic ambience.","pahari_prompt":"Pahari miniature style, stylized cosmic landscape with lotus-seat Brahmā, emanations as clustered figures, cool palette, lyrical spacing and fine facial detail."}

Audio Atmosphere: {"recitation_mood":"awe-filled, explanatory","suggested_raga":"Vachaspati","pace":"medium","voice_tone":"clear, didactic, resonant"}

C
Classical Literature
P
Purāṇic Cosmology
S
Sanskrit Textual Tradition
V
Vaishnava Narrative Frame

FAQs

It reflects a common Purāṇic cosmogonic motif in which divine principles are differentiated (e.g., male/female, multiple emanations) to explain the origin and enumeration of deity-groups such as the Rudras, situating the Varāha Purāṇa within broader Sanskrit mythographic and genealogical literature.

No geographic location is named in this verse; the content is primarily cosmogonic and genealogical (origin of the eleven Rudras).

The verse does not present a direct ethical injunction; its philosophical instruction is descriptive, emphasizing structured differentiation and orderly emanation as a framework for understanding cosmic origins.

Ask anything about this verse

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