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Varaha Purana 176.32 — Adhyaya 176, Shloka 32

The Māhātmya of Kṛṣṇagaṅgodbhava, Kāliñjara, and the Five Sacred Baths: The Tale of Pāñcāla and Tilottamā

नीता नरकमत्युग्रं मया पापिष्ठया भृशम् ॥ एवं सा तस्य तत्सर्वं कथयित्वा तिलोत्तमा ॥

nītā narakam atyugraṃ mayā pāpiṣṭhayā bhṛśam || evaṃ sā tasya tatsarvaṃ kathayitvā tilottamā ||

Bởi tôi—kẻ tội lỗi nhất—nàng đã bị xua đẩy một cách nghiệt ngã vào địa ngục vô cùng khủng khiếp. Như vậy, Tilottamā sau khi thuật lại tất cả điều ấy cho chàng, liền tiếp tục câu chuyện.

नीता(she) was led
नीता:
Karta (कर्ता)
TypeVerb
Rootनी (धातु) → नीत (कृदन्त-प्रातिपदिक)
Formक्त (Past passive participle); स्त्रीलिङ्ग, प्रथमा, एकवचन; कर्मणि/भावे: (she) was led
नरकम्to hell
नरकम्:
Karma (कर्म)
TypeNoun
Rootनरक (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; गत्यर्थे कर्म (destination as object)
अति-उग्रम्very terrible
अति-उग्रम्:
Visheshana (विशेषण)
TypeAdjective
Rootअति (उपसर्ग/अव्यय) + उग्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन; विशेषण (qualifying नरकम्); कर्मधारय/उपपद-समास: very fierce
मयाby me
मया:
Karana (करण)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम; तृतीया, एकवचन; कर्तृ-करणभाव (agent/instrument)
पापिष्ठया(by me) most sinful
पापिष्ठया:
Visheshana (विशेषण)
TypeAdjective
Rootपाप (प्रातिपदिक) → पापिष्ठ (तरप्/तमप्-प्रत्यय)
Formस्त्रीलिङ्ग, तृतीया, एकवचन; अतिशय-तुलनात्मक (superlative): most sinful; ‘मया’ इत्यस्य विशेषण
भृशम्exceedingly
भृशम्:
Prakara (प्रकार)
TypeIndeclinable
Rootभृशम् (अव्यय)
Formअव्यय; क्रियाविशेषण (intensifier: exceedingly)
एवम्thus
एवम्:
Prakara (प्रकार)
TypeIndeclinable
Rootएवम् (अव्यय)
Formअव्यय; प्रकारवाचक (thus/in this manner)
साshe
सा:
Karta (कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम; स्त्रीलिङ्ग, प्रथमा, एकवचन
तस्यto him/of him
तस्य:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम; पुंलिङ्ग/नपुंसकलिङ्ग, षष्ठी, एकवचन
तत्-सर्वम्all that
तत्-सर्वम्:
Karma (कर्म)
TypeNoun
Rootतद् (सर्वनाम) + सर्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन; कर्मधारय: ‘तत् एव सर्वम्’ = all that; कर्म (object of kathayitvā)
कथयित्वाhaving narrated
कथयित्वा:
Purvakala-kriya (पूर्वकाल-क्रिया)
TypeVerb
Rootकथय् (धातु)
Formक्त्वा (Absolutive/ल्यप्); पूर्वकालिक क्रिया (having told)
तिलोत्तमाTilottamā
तिलोत्तमा:
Karta (कर्ता)
TypeNoun
Rootतिलोत्तमा (प्रातिपदिक; नाम)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; विशेष-नाम (proper noun)

Pṛthivī

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"observer","bhu_devi_state":"burdened; confessional; morally pained while narrating karmic harm","key_question":"What is the karmic gravity of causing another’s fall into naraka, and how does one account for such agency and guilt?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"To be the instrument of another’s ruin is a severe pāpa; harming others’ dharma leads to intense naraka and compounded guilt.","karmic_consequence":"Severe hellish suffering (atyugra-naraka) and intensified remorse; narrative implies need for prāyaścitta and reform."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"karma and moral responsibility","core_concept":"Karma includes culpability for inducing others’ downfall; intention and causation bind the agent.","practical_application":"Avoid being a cause of others’ adharma; if harm is done, seek confession, restitution, and prescribed expiation."}

Subject Matter: ["Ethics"]

Primary Rasa: bhayānaka

Secondary Rasa: karuṇa

Type: infernal realm

Related Themes: Varāha Purāṇa 176 (Tilottamā narration continues)

Visual Art Cues: {"scene_description":"Tilottamā’s account framed as a moral warning: a shadowy vision of a dreadful naraka juxtaposed with uneasy narrator figures.","item_prompts":["dark infernal landscape","flames/smoke motifs","a figure being driven/dragged (symbolic, not graphic)","Tilottamā as narrator with raised hand","contrast of light (narration) vs darkness (nāraka)"],"kerala_mural_prompt":"Kerala mural: stylized naraka as dark-red/black banded space; Tilottamā in bright attire narrating; symbolic demons minimal and non-gory; emphasis on moral drama.","tanjore_prompt":"Tanjore: ornate narrator figure foreground; gold accents on narrator jewelry; naraka rendered as subdued dark panel behind, with flame motifs in relief-like pattern.","mysore_prompt":"Mysore: refined expressions; chiaroscuro-like wash for infernal vision; restrained depiction focusing on fear and consequence rather than violence.","pahari_prompt":"Pahari: split-scene composition—narration on one side, infernal vision on the other; delicate lines, strong emotional storytelling."}

Audio Atmosphere: {"recitation_mood":"grave, cautionary","suggested_raga":"Todi","pace":"slow","voice_tone":"low, weighty, warning"}

C
Classical Literature
V
Vaishnavism
M
Moral Psychology
P
Prāyaścitta Discourse

FAQs

It illustrates a common Purāṇic mechanism: moral causality expressed through naraka imagery, coupled with confession as a narrative device leading toward expiation.

No geographic site is named in this verse; it is primarily moral-narrative and cosmographic (nāraka) rather than topographic.

Actions have severe consequences for oneself and others; acknowledging wrongdoing becomes a step toward ethical repair and prāyaścitta.

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