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Varaha Purana 136.19: Adhyaya 136, Shloka 19

A Sūtra-like Manual of Expiations for Ritual Transgressions

ततो ध्यातो मया देवि शङ्करः पुनरेष्यति ॥ यावत्पश्यामि तं देवं देवि दिव्येन चक्षुषा

Sanskrit recitationVaraha Purana 136.19

tato dhyāto mayā devi śaṅkaraḥ punareṣyati || yāvat paśyāmi taṃ devaṃ devi divyena cakṣuṣā

Rồi, hỡi Nữ Thần, ta nhập thiền và nghĩ: “Śaṅkara sẽ lại trở về,” cho đến khi, hỡi Nữ Thần, ta thấy vị Thần ấy bằng thiên nhãn.

tataḥthen/thereupon
tataḥ:
Adhikaraṇa (अधिकरण) / temporal setting
TypeIndeclinable
Roottatas (अव्यय-प्रातिपदिक)
FormAvyaya (अव्यय), adverb (क्रियाविशेषण) of sequence; ‘thereupon/then’
dhyātaḥ(having been) meditated upon
dhyātaḥ:
Karta (कर्ता) in passive sense / predicate participle
TypeVerb
Rootdhyai (धातु) → dhyāta (कृदन्त)
FormKridanta (कृदन्त), past passive participle (क्त/ktá); Masculine, Nominative (प्रथमा/1), Singular (एकवचन); agrees with ‘śaṅkaraḥ’
mayāby me
mayā:
Karana (करण) / agent-instrument in passive (कर्तृ-तृतीया)
TypeNoun
Rootasmad (प्रातिपदिक)
FormPronoun (सर्वनाम); Instrumental (तृतीया/3), Singular (एकवचन)
deviO Goddess
devi:
Sambodhana (सम्बोधन)
TypeNoun
Rootdevī (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Vocative (सम्बोधन/8), Singular
śaṅkaraḥŚaṅkara (Śiva)
śaṅkaraḥ:
Karta (कर्ता)
TypeNoun
Rootśaṅkara (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (प्रथमा/1), Singular
punaragain
punar:
Kriya-viśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootpunar (अव्यय)
FormAvyaya (अव्यय), adverb (क्रियाविशेषण)
eṣyatiwill come/return
eṣyati:
Kriya (क्रिया)
TypeVerb
Rooti (धातु)
FormTinganta (तिङन्त); Luṭ-lakāra (लुट्, periphrastic future), Prathama-puruṣa (प्रथमपुरुष), Singular (एकवचन)
yāvatuntil/as long as
yāvat:
Sambandha (सम्बन्ध) / temporal limit
TypeIndeclinable
Rootyāvat (अव्यय)
FormAvyaya (अव्यय), conjunction/adverb meaning ‘as long as/until’
paśyāmiI see
paśyāmi:
Kriya (क्रिया)
TypeVerb
Rootdṛś (धातु)
FormTinganta; Laṭ-lakāra (लट्, present), Uttama-puruṣa (उत्तमपुरुष), Singular
tamhim/that
tam:
Karma (कर्म)
TypeNoun
Roottad (प्रातिपदिक)
FormPronoun; Masculine, Accusative (द्वितीया/2), Singular
devamthe god
devam:
Karma (कर्म)
TypeNoun
Rootdeva (प्रातिपदिक)
FormMasculine, Accusative (द्वितीया/2), Singular; in apposition to ‘tam’
deviO Goddess
devi:
Sambodhana (सम्बोधन)
TypeNoun
Rootdevī (प्रातिपदिक)
FormFeminine, Vocative (सम्बोधन/8), Singular
divyenawith divine
divyena:
Viśeṣaṇa (विशेषण) of instrument
TypeAdjective
Rootdivya (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग) / or Masculine as adjective; Instrumental (तृतीया/3), Singular; qualifies ‘cakṣuṣā’ (instrument)
cakṣuṣāwith (the) eye/vision
cakṣuṣā:
Karana (करण)
TypeNoun
Rootcakṣus (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Instrumental (तृतीया/3), Singular

Varāha (default framework)

Varaha Avatara Context: {"is_varaha_focus":true,"aspect_highlighted":"dialogue","earth_interaction":"Varāha confides to Bhū-devī his inner act of dhyāna and the subsequent divine vision; the interaction is intimate teacher-to-devotee narration."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"relieved/hopeful; the narrative turns from collapse to restoration/return through meditation and divine sight.","key_question":"How does dhyāna (meditation) enable divine perception and the restoration/return of Śaṅkara?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"yoga (dhyāna) / epistemology","core_concept":"Meditation stabilizes intention and opens ‘divine sight’ (divya-cakṣus), enabling direct apprehension beyond ordinary senses.","practical_application":"Practice sustained dhyāna with focused resolve; cultivate patience (‘until I beheld’) as a discipline for insight and clarity."}

Subject Matter: ["Cosmology","Ethics"]

Primary Rasa: shanta

Secondary Rasa: adbhuta

Type: inner/visionary realm

Related Themes: Varāha Purāṇa 136 (sequence: sin → collapse → dhyāna → vision/return)

Visual Art Cues: {"scene_description":"Varāha in meditation, then opening into a visionary moment where Śaṅkara is seen returning; Bhū-devī listens as the narrative shifts from inner contemplation to divine encounter.","item_prompts":["Varāha seated in dhyāna","a subtle radiance at the brow/eyes indicating divya-cakṣus","Śaṅkara appearing/returning in a luminous form","Bhū-devī attentive beside","visual transition motif (aura/mandala) from meditation to vision"],"kerala_mural_prompt":"Kerala mural: meditative Varāha with stylized lotus/mandala behind; Śaṅkara emerging in a cloud of light; Bhū-devī in reverent listening pose; strong halos and ornamental borders.","tanjore_prompt":"Tanjore: heavy gold for halos and the ‘vision’ aura; Varāha in calm posture; Śaṅkara’s return framed by gilded arch; rich textiles for Bhū-devī.","mysore_prompt":"Mysore: soft gradients for the visionary glow; refined facial serenity; emphasis on eyes/divine sight; balanced composition.","pahari_prompt":"Pahari: poetic mist and light; Śaṅkara appearing amid clouds; Varāha meditating near a riverbank or quiet grove; Bhū-devī close, intimate scale."}

Audio Atmosphere: {"recitation_mood":"calm, luminous, devotional","suggested_raga":"Yaman","pace":"medium-slow","voice_tone":"gentle, inward, then slightly uplifted at the ‘beheld’ moment"}

C
Classical Literature
V
Vaishnavism

FAQs

It reflects a Purāṇic narrative technique where visionary perception (divya-cakṣus) and meditation (dhyāna) function as authorized means of knowledge within epic–Purāṇic discourse.

No explicit geographic location is named in this verse.

The verse foregrounds disciplined contemplation as a method for restoring clarity and perceiving truth beyond ordinary perception.

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