लुठित्वा लोठनीं तत्र लुठिता यत्र देवताः । ततो नृत्यन्हसन्गायन्भूत्वा कार्पटिका कृतिः । गच्छेत्सोमेश्वरं देवं दृष्ट्वा चादौ कपर्द्दिनम्
luṭhitvā loṭhanīṃ tatra luṭhitā yatra devatāḥ | tato nṛtyanhasangāyanbhūtvā kārpaṭikā kṛtiḥ | gacchetsomeśvaraṃ devaṃ dṛṣṭvā cādau kaparddinam
Tại đó, hãy lăn mình trên nền đất ‘Loṭhanī’—nơi chính chư thiên từng lăn. Rồi hãy nhảy múa, cười vui và ca hát, mang dáng vẻ kẻ hành khất khiêm hạ; sau đó hãy đến đảnh lễ Thần Someśvara, trước hết đã chiêm bái Kapardin (Śiva, Đấng tóc bện).
Unspecified (within Prabhāsakṣetramāhātmya narration/instructional passage)
Tirtha: Loṭhanī (Prabhāsa) and Someśvara/Kapardin darśana
Type: ghat
Scene: In a sandy sacred courtyard, a pilgrim rolls on the ground at Loṭhanī; nearby, other devotees sing and dance with cymbals; the pilgrim, dressed simply like a mendicant, proceeds toward Śiva—Kapardin with matted locks—then to Someśvara’s shrine.
Joyful devotion joined with humility—symbolically ‘lowering’ oneself and approaching Śiva with the simplicity of a mendicant.
Prabhāsakṣetra’s Loṭhanī spot and the shrine of Lord Someśvara (Śiva as Kapardin).
Roll at the Loṭhanī, then proceed in devotional celebration (song/dance) and take darśana of Kapardin before worshipping Someśvara.