वित्रस्तपापां त्रिदशैर्दुरापां गंगां सदापां भवपाशशापाम् । शिवाविमुक्ताममृतैकशुक्तिं भुक्ताविमुक्तानपरित्यजन्ति
vitrastapāpāṃ tridaśairdurāpāṃ gaṃgāṃ sadāpāṃ bhavapāśaśāpām | śivāvimuktāmamṛtaikaśuktiṃ bhuktāvimuktānaparityajanti
Ai đã nếm ân huệ của Mẹ thì không rời bỏ sông Gaṅgā—trước Mẹ tội lỗi run sợ, đến chư thiên cũng khó cầu; Mẹ hằng ban sinh lực, nguyền rủa thòng lọng trói buộc luân hồi; Mẹ là ‘Śivāvimuktā’, một vỏ sò duy nhất chứa cam lộ—và họ cũng chẳng bỏ những người sùng kính Mẹ.
Skanda (deduced; Kāśīkhaṇḍa frame commonly Skanda → Agastya)
Tirtha: Gaṅgā (Śivāvimuktā in Kāśī)
Type: river
Listener: null
Scene: Gaṅgā as a radiant goddess-river; sins personified as dark figures recoiling; devas watching from the sky; a pearl-like oyster shell overflowing with nectar symbolizing ‘amṛta-eka-śukti’; devotees gathered, inseparable from her.
Gaṅgā and Kāśī’s Avimukta grace are portrayed as uniquely liberating; one who truly experiences them does not turn away from that refuge.
Gaṅgā in Kāśī/Avimukta-kṣetra—Gaṅgā as ‘Śivāvimuktā’ (never abandoned by Śiva).
No explicit instruction is stated, but the verse strongly implies continued devotion/association with Gaṅgā—classically expressed through snāna, japa, and tīrtha-sevā.