Shloka 139
Merit of Causeways and Crossings, Temple Construction Rewards, and the Rudrākṣa Mahātmya
लक्षकोटिसहस्राणि लक्षकोटिशतानि च । जप्त्वास्य लभते पुण्यं नात्र कार्या विचारणा
lakṣakoṭisahasrāṇi lakṣakoṭiśatāni ca | japtvāsya labhate puṇyaṃ nātra kāryā vicāraṇā
Sau khi trì tụng điều này đến hàng vạn crore, thậm chí hàng trăm crore của vô số lakṣa lần, người ấy đạt công đức; không cần nghi hoặc hay đắn đo gì nữa.
Unspecified in the provided excerpt (context needed from surrounding verses of Adhyaya 59).
Concept: Persistent japa yields assured puṇya; the text discourages skeptical over-analysis when practice is properly undertaken.
Application: Commit to a realistic daily count (saṅkalpa) rather than chasing impossible numbers; let the verse’s ‘no doubt’ counsel reduce wavering and procrastination.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A sādhaka sits cross-legged before a small lamp, rudrākṣa mālā moving bead by bead, while faint layers of mantra syllables spiral upward like incense smoke. In the background, Śiva’s calm presence is suggested as a translucent teaching form, reinforcing the certainty of the practice.","primary_figures":["Sādhaka (devotee)","Śiva (subtle, visionary presence)"],"setting":"Simple shrine corner with oil lamp, copper water pot, rudrākṣa beads, and a palm-leaf manuscript; quiet night ambience","lighting_mood":"temple lamp-lit","color_palette":["lamp gold","warm umber","smoke gray","deep maroon","ink black"],"tanjore_prompt":"Tanjore painting style: devotee performing japa with rudrākṣa mālā before a small shrine; gold leaf aura forming spiral mantra patterns; rich maroon backdrop, ornate borders, stylized lamp flames and decorative script motifs.","pahari_prompt":"Pahari miniature style: intimate indoor japa scene with delicate lines; soft lamplight, cool shadows; mantra syllables painted as faint calligraphic wisps; minimalistic yet lyrical composition.","kerala_mural_prompt":"Kerala mural style: bold outlines of seated devotee with enlarged rudrākṣa beads; lamp and manuscript rendered in flat pigments; Śiva’s subtle form behind as a haloed silhouette; temple-wall symmetry.","pichwai_prompt":"Pichwai cloth painting style: central medallion of a japa-performing devotee framed by bead-garland borders and lotus vines; deep blue-black ground with gold highlights; repetitive motifs echoing repetition of japa."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["tanpura drone","soft mala clicks","lamp crackle","silence"]}
Sandhi Resolution Notes: nātra = na + atra. japtvāsya = japtvā + asya.
FAQs
It functions as a phala-śruti (statement of benefit), asserting that extensive japa of the referred text/mantra yields puṇya, and that this result should be accepted without doubt.
Not in this isolated shloka. The referent of “asya” (“of this”) depends on the immediately preceding context in Adhyaya 59.
It encourages śraddhā (trust/faith) in the efficacy of disciplined practice (japa), discouraging excessive skepticism once the practice and teaching are properly received.