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Shloka 41

Brahmā’s Puṣkara Sacrifice and the Manifestation of Sarasvatī

with Tīrtha-Merit Teachings

तथा ब्रह्माप्यनंतेन लोकानां स्थितिकारिणा । अन्वास्यमानो भगवान्वृद्धोप्यथ च बुद्धिमान्

tathā brahmāpyanaṃtena lokānāṃ sthitikāriṇā | anvāsyamāno bhagavānvṛddhopyatha ca buddhimān

Cũng vậy, đức Phạm Thiên—dẫu đã già nhưng vẫn minh triết—được Ananta, bậc thần linh nâng đỡ sự an trụ của các thế giới, kề cận phụng sự.

तथाlikewise
तथा:
Sambandha (Manner)
TypeIndeclinable
Rootतथा (अव्यय)
Formप्रकार-अव्यय (adverb: likewise/thus)
ब्रह्माBrahmā
ब्रह्मा:
Karta (Subject/कर्ता)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/1st), एकवचन
अपिalso
अपि:
Sambandha (Particle)
TypeIndeclinable
Rootअपि (अव्यय)
Formसमुच्चय/अपेक्षा-अव्यय (particle: also/even)
अनन्तेनby Ananta
अनन्तेन:
Karana (Instrument/Agent-instr./करण)
TypeNoun
Rootअनन्त (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (Instrumental/3rd), एकवचन
लोकानाम्of the worlds
लोकानाम्:
Sambandha (Genitive relation/सम्बन्ध)
TypeNoun
Rootलोक (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति (Genitive/6th), बहुवचन
स्थितिकारिणाby the maintainer (of stability)
स्थितिकारिणा:
Karana (Instrument/Agent-instr./करण)
TypeNoun
Rootस्थिति + कारिन् (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (Instrumental/3rd), एकवचन; तत्पुरुषः (स्थितेः कारिन्)
अन्वास्यमानःbeing attended upon
अन्वास्यमानः:
Karta (Subject/कर्ता)
TypeAdjective
Rootअनु + आस् (धातु)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; कर्मणि-प्रयोगे शानच्-प्रत्ययान्त वर्तमानकृदन्त (passive present participle) ‘being attended/served’
भगवान्the Blessed Lord
भगवान्:
Karta (Apposition/कर्ता-सम्बन्ध)
TypeNoun
Rootभगवत् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
वृद्धःold/aged
वृद्धः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootवृद्ध (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; विशेषण
अपिeven though
अपि:
Sambandha (Concessive particle)
TypeIndeclinable
Rootअपि (अव्यय)
Formअपेक्षा-अव्यय (particle: even/though)
अथthen/thereupon
अथ:
Sambandha (Discourse particle)
TypeIndeclinable
Rootअथ (अव्यय)
Formअनन्तर/प्रसङ्ग-अव्यय (particle: then/and now)
and
:
Sambandha (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
बुद्धिमान्wise/intelligent
बुद्धिमान्:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootबुद्धि + मत् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; मतुप्-प्रत्ययान्त (possessive adjective)

Narrator (Purāṇic narrator; specific dialogue-pair not explicit from the single verse provided)

Concept: Even Brahmā’s creative authority is attended and stabilized by Ananta, the sustaining principle—implying that true power is grounded in divine support, not mere seniority or age.

Application: Seek stability through service and alignment with sustaining principles (discipline, devotion, responsibility). Honor elders and wisdom, yet recognize dependence on higher support.

Primary Rasa: shanta

Secondary Rasa: adbhuta

Type: celestial_realm

Visual Art Cues: {"scene_description":"Ananta, vast and luminous, coils like a living horizon beneath the cosmos; his many hoods form a jeweled canopy. Before him sits Brahmā—aged yet radiant with wisdom—receiving silent attendance, as if the very principle of stability is respectfully upholding the creator’s work.","primary_figures":["Ananta-Śeṣa","Brahmā (Pitāmaha)","Vishnu (implied presence through Ananta’s identity)"],"setting":"Cosmic ocean-edge blending into a subtle netherworld-celestial threshold; stars above, deep waters below, worlds suggested in miniature.","lighting_mood":"moonlit","color_palette":["deep indigo","pearl white","emerald green","gold","coral red"],"tanjore_prompt":"Tanjore painting style: Ananta-Śeṣa with multiple jeweled hoods forming an ornate arch, gold leaf highlights on scales and crowns; Brahmā seated respectfully, four faces serene; rich reds and greens, gem-studded ornaments, cosmic ocean rendered as patterned blue with gold ripples.","pahari_prompt":"Pahari miniature style: lyrical cosmic ocean with delicate wave lines; Ananta as elegant serpent with softly shaded hoods; Brahmā portrayed with refined facial features, calm gaze; cool palette, subtle starry sky, minimalistic yet poetic composition.","kerala_mural_prompt":"Kerala mural style: bold black outlines, Ananta’s hoods in rhythmic symmetry, Brahmā centered with iconic four faces; strong red-yellow-green palette, temple-wall aesthetic, stylized cosmic bands indicating worlds’ stability.","pichwai_prompt":"Pichwai cloth painting style: Ananta’s hoods forming a floral-serpentine canopy with lotus motifs; Brahmā seated amid patterned borders; deep blue ground with gold detailing, symmetrical devotional geometry, peacock-feather-like hood patterns."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"serene","sound_elements":["low oceanic hum","soft temple bells","conch shell (very distant)","silence"]}

Sandhi Resolution Notes: ब्रह्मापि = ब्रह्मा + अपि; भगवान्वृद्धोऽपि = भगवान् + वृद्धः + अपि (visarga/sandhi); ‘अन्वास्यमानः’ from अनु+आस् in passive participial form.

B
Brahmā
A
Ananta (Śeṣa)

FAQs

It presents Ananta as the cosmic sustainer—one who upholds the stability (sthiti) of the worlds—and as a divine attendant even to Brahmā.

Although placed in the creation-focused Sṛṣṭikhaṇḍa, it highlights that cosmic order depends on preservation: Brahmā’s creative role is shown alongside Ananta’s stabilizing function.

Wisdom and divine order are honored over mere seniority: even an aged Brahmā is described as “wise,” while service (attendance) by a great cosmic being is portrayed as aligned with dharma and proper hierarchy.