Shloka 123
Puṣkara Sacrifice: Gāyatrī’s Marriage, Sāvitrī’s Wrath, Rudra’s Test, and the Tīrtha-Māhātmya
मौनीभूता तु शृण्वाना सर्वेषां वदतां गिरः । अद्ध्वर्युणा समाहूता नागता वरवर्णिनी
maunībhūtā tu śṛṇvānā sarveṣāṃ vadatāṃ giraḥ | addhvaryuṇā samāhūtā nāgatā varavarṇinī
Nàng vẫn lặng thinh, lắng nghe lời lẽ mọi người đang nói. Dù vị tư tế chủ lễ (adhvaryu) gọi mời, người nữ có nước da sáng ấy vẫn không đến.
Unspecified narrator (context not provided in the input excerpt)
Concept: Silence can be a moral stance; refusal to participate may signal violated propriety or inner protest within a ritual-social order.
Application: When pressured into actions that feel wrong, pause and listen; respond only after clarity—silence can prevent harm and invite reflection.
Primary Rasa: karuna
Secondary Rasa: shanta
Type: celestial_realm
Visual Art Cues: {"scene_description":"A fair-complexioned woman stands apart, composed and silent, while a ring of priests and devas speak over one another. The adhvaryu extends a hand in formal summons, yet she does not step forward—her stillness becomes the loudest presence in the hall.","primary_figures":["silent lady (Sāvitrī or the addressed woman in context)","adhvaryu priest","assembled devas and sages"],"setting":"Sacrificial arena edge within a celestial hall; altar smoke faintly rising; ritual ladles and vessels arranged","lighting_mood":"temple lamp-lit","color_palette":["smoke grey","lamp gold","sandalwood beige","deep maroon","indigo"],"tanjore_prompt":"Tanjore painting style: a ritual hall with glowing oil lamps and gold-leaf accents; the adhvaryu in white-gold garments gesturing in summons; the silent woman in elegant but restrained attire, eyes lowered; crowded onlookers with expressive faces; ornate borders and gem-like highlights on vessels and crowns.","pahari_prompt":"Pahari miniature style: quiet psychological scene; the woman placed in a corner of the composition to emphasize distance; delicate gestures and soft shading; cool indigo and muted maroon; fine detailing of ritual implements; lyrical stillness.","kerala_mural_prompt":"Kerala mural style: strong outlines, stylized altar and priestly figures; the woman’s large eyes and composed posture convey refusal; warm lamp-lit palette; decorative bands with lotus motifs framing the ritual space.","pichwai_prompt":"Pichwai cloth painting style: altar-centered composition with floral borders; the silent woman rendered with devotional grace; symmetrical placement of priests; deep blue background with gold motifs; stylized lamps and lotuses; intricate textile patterns."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"serene","sound_elements":["crackling ghee lamp","soft mantra undertone","gentle bell","long silence between lines"]}
Sandhi Resolution Notes: मौनीभूता = मौनी + भूता; सर्वेषां वदतां = (genitives) ‘of all (those) speaking’; समाहूता नागता = समाहूता + न + आगता
FAQs
The adhvaryu is the Vedic officiant responsible for the practical execution of a yajña (sacrifice), especially the physical and procedural aspects of the ritual.
Her silence highlights restraint and inner resolve—she listens to all speech yet withholds response and action, suggesting a deliberate refusal or protest within the ritual-social setting.
It suggests that listening does not obligate compliance; one may remain composed and choose not to participate even when formally summoned, if conscience or intention dictates otherwise.