Shloka 15
Rudra’s Removal of Brahmahatyā; Kapālamocana and Avimukta Māhātmya; Origins of Nara and Karṇa
link to Arjuna/Karna query
प्रावर्तत ततो धारा शोणितस्य विभोर्भुजात् । जांबूनदरसाकारा वह्निज्वालेव निर्मिता
prāvartata tato dhārā śoṇitasya vibhorbhujāt | jāṃbūnadarasākārā vahnijvāleva nirmitā
Rồi từ cánh tay của bậc hùng lực ấy tuôn ra một dòng huyết—trông như vàng Jāmbūnada nóng chảy, tựa được tạo bởi những lưỡi lửa.
Narrator (contextual speaker not explicit in this single verse extract)
Concept: Sin and its consequences are not merely moral abstractions; they manifest as tangible forces in Purāṇic cosmology, requiring divine containment and transformation.
Application: Recognize that harmful actions ‘spill’ into the world; practice restraint (saṃyama) and timely atonement before consequences intensify.
Primary Rasa: adbhuta
Secondary Rasa: raudra
Visual Art Cues: {"scene_description":"From a divine arm, a torrent of blood arcs outward, yet it gleams like molten Jāmbūnada gold—an uncanny fusion of beauty and terror. The stream flickers as if made of fire-tongues, illuminating the surrounding void with incandescent heat.","primary_figures":["Rudra (implied mighty one)","personified stream of blood (as a fiery river)"],"setting":"Mythic battlefield-cosmos: open sky with swirling smoke, sparks, and ash; no earthly horizon.","lighting_mood":"divine radiance","color_palette":["molten gold","crimson blood-red","ember orange","smoke gray","midnight blue"],"tanjore_prompt":"Tanjore painting style: a fierce divine figure’s arm releasing a radiant stream that looks like molten gold mixed with crimson, rendered with thick gold leaf highlights and flame motifs; ornate halo, dramatic maroon-green background panels, gem-like droplets, and stylized fire tongues around the flowing arc.","pahari_prompt":"Pahari miniature style: elegant yet intense depiction of a glowing crimson-gold stream curving across a deep blue sky; delicate flame-tongues painted as fine orange strokes, soft smoke washes, refined facial features on the deity, and minimal landscape to emphasize cosmic scale.","kerala_mural_prompt":"Kerala mural style: bold outlines and flat pigments—stream shown as rhythmic bands of red and gold with stylized flame tips; deity’s arm emphasized with strong contour, ash-gray smoke curls, and a temple-mural compositional symmetry.","pichwai_prompt":"Pichwai cloth painting style: central sweeping arc of crimson-gold ‘river’ bordered by lotus and flame motifs; deep indigo ground with gold detailing, decorative droplets like pearls, intricate floral borders framing the fiery flow."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["conch shell","drum strokes (mridanga)","crackling fire","wind rush"]}
Sandhi Resolution Notes: vibhorbhujāt = vibhoḥ + bhujāt (visarga before b → r); vahnijvāleva = vahni-jvālā + iva (ā + i → e).
FAQs
A stream of blood flowing from a divine/mighty being’s arm, compared to molten Jāmbūnada gold and to flames of fire—an intense, luminous creation-style image.
Both comparisons emphasize radiance, heat, and liquid brilliance—suggesting the flow is extraordinary, not ordinary blood, and functions as a mythic, transformative emanation.
The verse itself does not name the figure; identifying 'vibhu' requires the surrounding verses of Adhyaya 14 for the narrative speaker and subject.