The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
हंससारससंकीर्णकमलोत्पलशालिभिः । सरोभिर्नीलांभोभिः परीते भवनोत्तमे ॥ ९३ ॥
haṃsasārasasaṃkīrṇakamalotpalaśālibhiḥ | sarobhirnīlāṃbhobhiḥ parīte bhavanottame || 93 ||
Nơi cư ngụ tối thắng ấy được bao quanh bởi những hồ nước xanh biếc, dày đặc thiên nga và chim sarasa, lại phong phú hoa sen và hoa súng xanh (utpala).
Suta (narrating the scene in the Purana’s frame dialogue)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It portrays an auspicious, sattvic environment—pure waters, sacred birds, and lotuses—used in Puranic literature to signal a holy setting fit for dharmic instruction and spiritual practice.
Indirectly, it frames devotion by emphasizing purity and sacred ambience: such serene surroundings support japa, worship, and attentive listening to teachings—key supports of Vishnu-bhakti in Puranic practice.
While not teaching a Vedanga directly, it reflects the traditional requirement of a suitable, calm place for study and recitation—supporting disciplines like Śikṣā (proper chanting) and Vyākaraṇa (accurate textual learning) within the Third Pada’s technical focus.