The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
षड्दीर्घस्वरयुग्मायाबीजेनांगानि कल्पयेत् । ध्यानपूजादिकं सर्वमस्य पूर्ववदाचरेत् ॥ ५४ ॥
ṣaḍdīrghasvarayugmāyābījenāṃgāni kalpayet | dhyānapūjādikaṃ sarvamasya pūrvavadācaret || 54 ||
Với thần chú chủng tử của “Ṣaḍ-dīrgha-svara-yugmā”, hành giả nên thiết lập nyāsa cho các chi phần; và đối với pháp này, thiền quán, lễ bái, cùng mọi nghi thức liên hệ đều phải thực hành đúng như đã dạy trước đó.
Sanatkumara (in instruction to Narada, within the Narada–Sanatkumara dialogue framework)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes disciplined upāsanā: the mantra’s power is stabilized through aṅga-nyāsa and then fulfilled by consistent meditation and worship performed exactly according to the prescribed sequence.
Bhakti here is shown as structured devotion—inner contemplation (dhyāna) and outer worship (pūjā) aligned with mantra-practice, indicating that heartfelt devotion is strengthened by correct, repeatable ritual form.
It highlights ritual-technical application of mantra (bīja) and nyāsa—skills tied to śikṣā (sound/phonetics) and kalpa (ritual procedure), where correct sonic form and prescribed method are essential.