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Narada Purana — Purva Bhaga, Shloka 47

The Exposition of the Dvādaśī Vow for the Twelve Months

Dvādaśī-vrata-nirṇaya and Mahā-dvādaśī Lakṣaṇas

शंखतूर्यादिघोषैश्च नानारत्नविनिर्मिते । सिंहासने नवे क्लृप्ते तिष्ठेत्सम्यगलंकृतः ॥ ४७ ॥

śaṃkhatūryādighoṣaiśca nānāratnavinirmite | siṃhāsane nave klṛpte tiṣṭhetsamyagalaṃkṛtaḥ || 47 ||

Giữa tiếng vang rền của tù và, kèn trống và các nhạc khí, ngài nên đứng—trang sức chỉnh tề—trên ngai sư tử mới được bày đặt, kết bằng muôn thứ châu báu.

शङ्ख-तूर्य-आदि-घोषैःwith the sounds of conches, trumpets, etc.
शङ्ख-तूर्य-आदि-घोषैः:
करण (Instrument/करण)
TypeNoun
Rootशङ्ख (प्रातिपदिक) + तूर्य (प्रातिपदिक) + आदि (प्रातिपदिक) + घोष (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd), बहुवचन; तत्पुरुषः (‘sounds of conches, trumpets, etc.’)
and
:
समुच्चय (Conjunction)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय
नाना-रत्न-विनिर्मितेmade of various jewels
नाना-रत्न-विनिर्मिते:
विशेषण (Qualifier of सिंहासने)
TypeAdjective
Rootनाना (अव्यय) + रत्न (प्रातिपदिक) + विनिर्मित (कृदन्त; √मा (धातु) वि-नि-उपसर्ग)
Formनपुंसकलिङ्ग, सप्तमी (7th), एकवचन; भूतकृदन्त; तत्पुरुषः (‘made of various jewels’)
सिंहासनेon the throne
सिंहासने:
अधिकरण (Location/अधिकरण)
TypeNoun
Rootसिंहासन (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th), एकवचन; अधिकरण
नवेnew
नवे:
विशेषण (Qualifier of सिंहासने)
TypeAdjective
Rootनव (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th), एकवचन; विशेषण
क्लृप्तेprepared/arranged
क्लृप्ते:
विशेषण (Qualifier of सिंहासने)
TypeAdjective
Rootक्लृप्त (कृदन्त; √कॢप् (धातु))
Formनपुंसकलिङ्ग, सप्तमी (7th), एकवचन; भूतकृदन्त (‘arranged/prepared’)
तिष्ठेत्should stand/sit (remain)
तिष्ठेत्:
क्रिया (Predicate)
TypeVerb
Root√स्था (धातु)
Formविधिलिङ् (Optative/विधिलिङ्), प्रथमपुरुष (3rd person/प्रथम), एकवचन; परस्मैपद
सम्यक्properly
सम्यक्:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootसम्यक् (अव्यय)
Formअव्यय; क्रियाविशेषण (adverb)
अलङ्कृतःadorned
अलङ्कृतः:
विशेषण (Qualifier of implied राजा)
TypeAdjective
Rootअलङ्कृत (कृदन्त; √कृ (धातु) अलम्-उपसर्ग/निपात)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; भूतकृदन्त; विशेषण (राज्ञः)

Narada (narrative instruction within the teaching dialogue, traditionally relayed to/through the Sanatkumara tradition)

Vrata: none

Primary Rasa: vira

Secondary Rasa: adbhuta

FAQs

It teaches that worship should be performed with auspiciousness, order, and reverence—using sacred sounds (conch and instruments) and a properly prepared seat—so the act becomes a dignified offering rather than a casual gesture.

Bhakti here is expressed as honor and attentive service (sevā): adorning oneself, arranging a clean and elevated seat, and invoking auspicious sounds, all of which externalize inner devotion and respect for the deity and the rite.

It reflects ritual procedure and ceremonial protocol (kalpa-style practice): arranging the worship space, employing auspicious instruments like the śaṅkha, and maintaining proper decorum—practical know-how essential for correct performance of worship.