Adhyaya 51 — Yaksha Injunctions: Graha-Children and Female Spirits Causing Domestic and Ritual Disruptions
विद्वेषिणी तु या कन्या भृकुटीकुटिलानना ।
तस्या द्वौ तनयौ पुंसामपकारप्रकाशकौ ॥
vidveṣiṇī tu yā kanyā bhṛkuṭīkuṭilānanā /
tasyā dvau tanayau puṃsām apakāraprakāśakau
Nay, thiếu nữ tên Vidveṣiṇī, có gương mặt vặn vẹo vì đôi mày cau có, có hai con trai, những kẻ phơi bày (làm lộ ra) các tai hại chống lại loài người.
{ "primaryRasa": "shanta", "secondaryRasa": "raudra", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Hatred is portrayed as 'productive'—it generates agents that disclose and magnify human faults and injuries, indicating that malice does not stay internal but externalizes into social damage.
Ancillary moral-etiological narration (not a vaṃśa list or manvantara chronicle).
The 'frowning, twisted face' is an icon of inner distortion: when citta is warped by dveṣa, perception itself becomes crooked and projects harm outward.