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Shloka 9

Gāndhārī’s Battlefield Survey: The Fallen and the Onset of Funeral Rites (शल्य-भगीरथ-भीष्म-द्रोणादि-दर्शनम्)

शल्यं शरणदं शूरं पश्येमं वृष्णिनन्दन । शयानं वीरशयने शरैविशकलीकृतम्‌,वृष्णिनन्दन! देखो, ये दूसरोंको शरण देनेवाले शूरवीर शल्य बाणोंसे छिन्न-भिन्न होकर वीरशय्यापर सो रहे हैं

śalyaṁ śaraṇadaṁ śūraṁ paśyemaṁ vṛṣṇinandana | śayānaṁ vīraśayane śaraiś chinnabhinnīkṛtam ||

Vaiśampāyana nói: “Hỡi hậu duệ nhà Vṛṣṇi, hãy nhìn Śalya này—vị dũng sĩ từng ban nơi nương tựa cho người khác—nay nằm trên ‘giường của chiến binh’, thân thể bị mũi tên xé nát.”

शल्यंShalya (the warrior)
शल्यं:
Karma
TypeNoun
Rootशल्य
FormMasculine, Accusative, Singular
शरणदम्giver of refuge
शरणदम्:
Karma
TypeAdjective
Rootशरणद
FormMasculine, Accusative, Singular
शूरम्heroic, brave
शूरम्:
Karma
TypeAdjective
Rootशूर
FormMasculine, Accusative, Singular
पश्यsee!
पश्य:
TypeVerb
Rootदृश्
FormImperative, Second, Singular, Parasmaipada
इमम्this (one)
इमम्:
Karma
TypePronoun
Rootइदम्
FormMasculine, Accusative, Singular
वृष्णिनन्दनO son of the Vrishni (Krishna)
वृष्णिनन्दन:
TypeNoun
Rootवृष्णिनन्दन
FormMasculine, Vocative, Singular
शयानम्lying, reclining
शयानम्:
Karma
TypeVerb
Rootशी
FormPresent active participle (शतृ), Masculine, Accusative, Singular
वीरशयनेon the hero's bed (bed of arrows)
वीरशयने:
Adhikarana
TypeNoun
Rootवीरशयन
FormNeuter, Locative, Singular
शरैःby arrows
शरैः:
Karana
TypeNoun
Rootशर
FormMasculine, Instrumental, Plural
विशकलीकृतम्cut into pieces, mangled
विशकलीकृतम्:
Karma
TypeAdjective
Rootविशकलीकृत
FormPast passive participle (क्त), Masculine, Accusative, Singular

वैशम्पायन उवाच

V
Vaiśaṃpāyana
Ś
Śalya
V
Vṛṣṇinandana (Kṛṣṇa)
A
arrows (śara)
V
vīraśayana (hero’s bed/battlefield bier)

Educational Q&A

The verse highlights the fragility of worldly power and reputation: even a renowned protector (śaraṇada) can be brought low by the consequences of war. It invites ethical reflection on violence and the sorrow that follows, a key mood of the Strī Parva.

Vaiśaṃpāyana points out Śalya’s fallen body to Vṛṣṇinandana (Kṛṣṇa), describing him lying on the battlefield as on a ‘hero’s bed,’ pierced and mangled by arrows—an image of the war’s aftermath.