Prāsāda-Lakṣaṇa: Temple Proportions, Śikhara Ratios, Liṅga–Pīṭha Measures, and Auspicious Ground-Plans
प्रासादानां च वक्ष्यामि मानं योनिं च मानतः / वैराजः पुष्पकाख्यश्च कैलासो मालिकाह्वयः
prāsādānāṃ ca vakṣyāmi mānaṃ yoniṃ ca mānataḥ / vairājaḥ puṣpakākhyaśca kailāso mālikāhvayaḥ
Nay ta sẽ nói về các phép đo của những prāsāda (đền điện), và cả các dạng nền móng căn bản (yoni) theo đúng tỷ lệ. Chúng được gọi là Vairāja, Puṣpaka, Kailāsa và Mālikā.
Lord Viṣṇu (in dialogue with Garuḍa/Vinatā-putra)
Concept: Systematic knowledge (māna and yoni) organizes sacred architecture into intelligible classes.
Vedantic Theme: Nāma–rūpa ordering: names and forms as structured manifestations within a sacred cosmology.
Application: Document and classify design variants before construction; choose an archetype (Vairāja/Puṣpaka/Kailāsa/Mālikā) appropriate to site, patronage, and ritual needs.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: śilpa-śāstra discourse setting
Related Themes: Garuda Purana 1.47.22-23 (five yoni-forms and shapes); Garuda Purana 1.47.19-20 (measurement rules)
This verse frames temple design as a dhārmic science: prāsādas are classified by precise proportions and plan-types (yoni), implying that correct measurement is essential to a properly consecrated sacred space.
It does not directly address the soul’s post-death journey; instead, it shifts to dharma through sacred architecture—how orderly, proportionate temple spaces are defined and categorized.
Use it as a reminder that religious practice values disciplined structure: whether building a shrine/temple or organizing worship, follow authentic guidelines and proportional harmony rather than improvisation.