Agni Purana — Raja-dharma, Shloka 18

अभिषिञ्चेदमात्यानां चतुष्टयमथो घटैः चन्द्रालयमृदेति ज सरोमृदेत्यादिः संशोधयेत्तथेत्यन्तः पाठः ज पुस्तके नास्ति पूर्वतो हेमकुम्भेन घृतपूर्णेन ब्राहणः

abhiṣiñcedamātyānāṃ catuṣṭayamatho ghaṭaiḥ candrālayamṛdeti ja saromṛdetyādiḥ saṃśodhayettathetyantaḥ pāṭhaḥ ja pustake nāsti pūrvato hemakumbhena ghṛtapūrṇena brāhaṇaḥ

Bấy giờ, vị chủ lễ phải cử hành lễ quán đảnh cho nhóm bốn vị đại thần bằng các bình (đựng nước quán đảnh). (Trong truyền thống văn bản, các dị bản như “candrālaya-mṛt”, “saro-mṛt”, v.v. cần được hiệu đính theo phê bình văn bản; và cụm kết “tathā …” không có trong thủ bản ‘ja’.) Lúc khởi đầu, một vị Bà-la-môn nên tiến hành với một bình vàng đầy bơ tinh luyện (ghee).

abhiṣiñcetshould anoint/sprinkle
abhiṣiñcet:
Kriyā (क्रिया/Verbal action)
TypeVerb
Root√sic (सिच् धातु) उपसर्गः abhi-
FormOptative/benedictive sense (विधिलिङ्), Parasmaipada (परस्मैपद), 3rd person (प्रथमपुरुष), Singular (एकवचन)
amātyānāmof the ministers
amātyānām:
Sambandha (सम्बन्ध/Genitive relation)
TypeNoun
Rootamātya (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Genitive (6th/षष्ठी), Plural (बहुवचन)
catuṣṭayamthe set of four
catuṣṭayam:
Karma (कर्म/Object)
TypeNoun
Rootcatuṣṭaya (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
athathen
atha:
Sambandha (सम्बन्ध/Discourse marker)
TypeIndeclinable
Rootatha (अव्यय)
FormIndeclinable (अव्यय); particle (निपात)
ghaṭaiḥwith pots
ghaṭaiḥ:
Karaṇa (करण/Instrument)
TypeNoun
Rootghaṭa (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (3rd/तृतीया), Plural (बहुवचन)
candra-ālaya-mṛdāwith earth from the moon-temple/abode (reading)
candra-ālaya-mṛdā:
Karaṇa (करण/Instrument)
TypeNoun
Rootcandra (प्रातिपदिक) + ālaya (प्रातिपदिक) + mṛd (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Instrumental (3rd/तृतीया), Singular (एकवचन); समासः—षष्ठी-तत्पुरुषः (candrasya ālayaḥ) + तृतीया (mṛdā)
itithus
iti:
Sambandha (सम्बन्ध/Quotation marker)
TypeIndeclinable
Rootiti (अव्यय)
FormIndeclinable (अव्यय); quotative particle (इति-निपात)
saraḥ-mṛdāwith earth from a lake
saraḥ-mṛdā:
Karaṇa (करण/Instrument)
TypeNoun
Rootsaras (प्रातिपदिक) + mṛd (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Instrumental (3rd/तृतीया), Singular (एकवचन); समासः—षष्ठी-तत्पुरुषः (sarasaḥ mṛd)
itithus
iti:
Sambandha (सम्बन्ध/Quotation marker)
TypeIndeclinable
Rootiti (अव्यय)
FormIndeclinable (अव्यय); quotative particle (इति-निपात)
ādiḥetc.; the beginning (list)
ādiḥ:
Karta (कर्ता/Subject)
TypeNoun
Rootādi (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)
saṃśodhayetshould purify/cleanse
saṃśodhayet:
Kriyā (क्रिया/Verbal action)
TypeVerb
Rootsam-√śudh (शुध् धातु) causative (णिच्)
FormOptative (विधिलिङ्), Parasmaipada (परस्मैपद), 3rd person (प्रथमपुरुष), Singular (एकवचन); causative (णिच्)
tathālikewise
tathā:
Sambandha (सम्बन्ध/Adverbial relation)
TypeIndeclinable
Roottathā (अव्यय)
FormIndeclinable (अव्यय); adverb (क्रियाविशेषण)
itithus
iti:
Sambandha (सम्बन्ध/Quotation marker)
TypeIndeclinable
Rootiti (अव्यय)
FormIndeclinable (अव्यय); quotative particle (इति-निपात)
antaḥending (with)
antaḥ:
Viśeṣaṇa (विशेषण/Qualifier)
TypeNoun
Rootanta (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन); here as qualifier in compound-like usage ‘ending with’
pāṭhaḥreading / textual variant
pāṭhaḥ:
Karta (कर्ता/Subject)
TypeNoun
Rootpāṭha (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)
pustakein the manuscript/book
pustake:
Adhikaraṇa (अधिकरण/Location)
TypeNoun
Rootpustaka (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Locative (7th/सप्तमी), Singular (एकवचन)
nāstiis not
nāsti:
Kriyā (क्रिया/Verbal action)
TypeVerb
Rootna + √as (अस् धातु)
FormPresent tense (लट्), Parasmaipada (परस्मैपद), 3rd person (प्रथमपुरुष), Singular (एकवचन); negated by ‘na’
pūrvataḥfrom the east / in front
pūrvataḥ:
Sambandha (सम्बन्ध/Adverbial relation)
TypeIndeclinable
Rootpūrvataḥ (अव्यय)
FormIndeclinable (अव्यय); adverb (क्रियाविशेषण)
hema-kumbhenawith a golden pot
hema-kumbhena:
Karaṇa (करण/Instrument)
TypeNoun
Roothema (प्रातिपदिक) + kumbha (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (3rd/तृतीया), Singular (एकवचन); समासः—कर्मधारयः (hemaḥ kumbhaḥ)
ghṛta-pūrṇenafilled with ghee
ghṛta-pūrṇena:
Viśeṣaṇa (विशेषण/Qualifier)
TypeAdjective
Rootghṛta (प्रातिपदिक) + pūrṇa (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (3rd/तृतीया), Singular (एकवचन); समासः—तत्पुरुषः (ghṛtena pūrṇaḥ)
brāhmaṇaḥa Brahmin
brāhmaṇaḥ:
Karta (कर्ता/Subject)
TypeNoun
Rootbrāhmaṇa (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)

Lord Agni (narrating to Sage Vasiṣṭha, as per the Agni Purāṇa’s dominant dialogue frame)

Vidya Category: {"primary_vidya":"Dharmashastra","secondary_vidya":"Arthashastra","practical_application":"Protocol for ministerial installation within royal consecration: consecrating a set of four ministers using pots; emphasizes correct ritual materials (golden ghee-filled pitcher) and textual-critical awareness of variant readings.","sutra_style":false}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Amātya-catuṣṭaya abhiṣeka: ghaṭābhiṣeka and hemakumbha-ghṛta-prayoga","lookup_keywords":["amātya-catuṣṭaya","abhiṣeka","ghaṭa","hemakumbha","ghṛta"],"quick_summary":"Four key ministers are ritually consecrated with abhiṣeka pots; the rite begins with a brāhmaṇa using a golden pitcher filled with ghee, underscoring auspicious substances and proper officiation."}

Concept: Legitimacy of governance is ritually constituted: ministers as pillars of rule are installed through consecratory acts using auspicious substances under brāhmaṇa guidance.

Application: During rājābhiṣeka cycles, include amātya-abhiṣeka with designated vessels; begin with hemakumbha filled with ghṛta as an auspicious opening act.

Khanda Section: Rāja-dharma / Rājābhiṣeka (Royal consecration and ministerial installation rites)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A consecration hall where four ministers stand in a row; a brāhmaṇa begins the rite holding a golden pitcher brimming with ghee, while other pots for abhiṣeka are arranged on a ritual platform.","kerala_mural_prompt":"Kerala mural, consecration pavilion, four ministers in formal attire, Brahmin priest holding a shining golden kumbha of ghee, rows of kalashas on a vedi, symmetrical composition, temple lamps","tanjore_prompt":"Tanjore painting, heavy gold embellishment on the hemakumbha and royal ornaments, four ministers depicted with distinct insignia, ritual pots on a decorated platform, rich reds and greens","mysore_prompt":"Mysore style, didactic layout: four ministers labeled, sequence of pots, priest initiating with hemakumbha-ghṛta, fine detailing of vessels and ritual platform, calm palette","mughal_miniature_prompt":"Mughal miniature, detailed durbar-like ritual, ministers in line, priest with golden ghee pitcher, intricate textiles and carpets, architectural arches, precise vessel rendering"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: abhiṣiñcedamātyānāṃ → abhiṣiñcet amātyānām; catuṣṭayamatho → catuṣṭayam atha; textual note portions (‘ja’, variant remarks) treated as editorial and omitted from pada list except meaningful words; hemakumbhena → hema-kumbhena; ghṛtapūrṇena → ghṛta-pūrṇena.

Related Themes: Agni Purana 218 (rājābhiṣeka and associated installations)

B
Brāhmaṇa
A
Amātya (minister)

FAQs

It gives a procedural rule in the rājābhiṣeka context: the four ministers are ritually consecrated using ritual pots (ghaṭa/kalasha), and a brāhmaṇa begins the rite carrying a golden pitcher filled with ghee.

Alongside theology, the Agni Purāṇa preserves statecraft and court-ritual protocols—here, a governance-linked purification and installation rite for ministers—showing its coverage of practical polity (rājadharma) as well as ritual technique.

Consecration (abhiṣeka) functions as ritual purification and legitimization: it ritually qualifies ministers for office, aligning political authority with dharma and auspiciousness through sanctified substances (water in pots, and ghee in a golden vessel).