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Agni Purana — Mantra-shastra, Shloka 7

Worship by Limb-Syllables

Aṅgākṣara-arcana

एवं रूपानिमान् वर्णान् भावबुद्धान्न्यसेत् क्रमात् हृदास्यनेत्रमूर्धाङ्घ्रितालुगुह्यकरादिषु

evaṃ rūpānimān varṇān bhāvabuddhānnyaset kramāt hṛdāsyanetramūrdhāṅghritāluguhyakarādiṣu

Như vậy, theo đúng thứ tự, hãy an trí các chữ ấy—được quán tưởng theo hình tướng của chúng và được đặt trong chánh niệm tỉnh giác—lên tim, miệng, mắt, đỉnh đầu, bàn chân, vòm miệng (tālu), chỗ kín, hai tay, và các vị trí khác trên thân thể.

एवम्thus/in this way
एवम्:
सम्बन्ध (Sambandha/Manner)
TypeIndeclinable
Rootएवम् (अव्यय)
Formअव्यय; प्रकारवाचक (adverb of manner)
रूपान्forms
रूपान्:
कर्म (Karma/Object)
TypeNoun
Rootरूप (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd), बहुवचन; accusative plural
इमान्these
इमान्:
कर्म (Karma/Object)
TypeAdjective
Rootइदम् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), बहुवचन; pronoun used adjectivally with वर्णान्
वर्णान्letters/syllables
वर्णान्:
कर्म (Karma/Object)
TypeNoun
Rootवर्ण (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), बहुवचन; accusative plural
भावcontemplation/feeling
भाव:
सम्बन्ध (Sambandha)
TypeNoun
Rootभाव (प्रातिपदिक)
Formसमासपूर्वपद; 'भाव' as first member in compound
बुद्धान्contemplated/mentally apprehended
बुद्धान्:
कर्म (Karma/Object)
TypeAdjective
Rootबुद्ध (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), बहुवचन; compound: भाव-बुद्ध (भावेन बुद्धाः = contemplated/understood by contemplation) qualifying वर्णान्
न्यसेत्should place (perform nyāsa)
न्यसेत्:
क्रिया (Kriyā)
TypeVerb
Rootनि-√अस् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd), एकवचन; parasmaipada
क्रमात्in order/stepwise
क्रमात्:
सम्बन्ध (Sambandha/Order)
TypeNoun
Rootक्रम (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी (5th/पञ्चमी), एकवचन; ablative singular used adverbially
हृद्heart
हृद्:
सम्बन्ध (Sambandha)
TypeNoun
Rootहृद् (प्रातिपदिक)
Formसमासपूर्वपद; 'heart' as first member in compound
आस्यmouth/face
आस्य:
सम्बन्ध (Sambandha)
TypeNoun
Rootआस्य (प्रातिपदिक)
Formसमासपूर्वपद; 'mouth/face'
नेत्रeye
नेत्र:
सम्बन्ध (Sambandha)
TypeNoun
Rootनेत्र (प्रातिपदिक)
Formसमासपूर्वपद; 'eye'
मूर्धhead/crown
मूर्ध:
सम्बन्ध (Sambandha)
TypeNoun
Rootमूर्धन्/मूर्ध (प्रातिपदिक)
Formसमासपूर्वपद; 'head/crown'
अङ्घ्रिfoot
अङ्घ्रि:
सम्बन्ध (Sambandha)
TypeNoun
Rootअङ्घ्रि (प्रातिपदिक)
Formसमासपूर्वपद; 'foot'
तालुpalate
तालु:
सम्बन्ध (Sambandha)
TypeNoun
Rootतालु (प्रातिपदिक)
Formसमासपूर्वपद; 'palate'
गुह्यgenital/secret part
गुह्य:
सम्बन्ध (Sambandha)
TypeNoun
Rootगुह्य (प्रातिपदिक)
Formसमासपूर्वपद; 'secret part/genitals'
करhand
कर:
सम्बन्ध (Sambandha)
TypeNoun
Rootकर (प्रातिपदिक)
Formसमासपूर्वपद; 'hand'
आदिषुin (these) and the rest
आदिषु:
अधिकरण (Adhikaraṇa/Location)
TypeNoun
Rootआदि (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th), बहुवचन; 'आदि' with plural locative: 'etc. (among/in...)' functioning as avyayībhāva-like tail in list

Lord Agni (in instruction to the sage Vasiṣṭha, typical Agni Purana dialogue frame)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Varṇa-nyāsa/anga-nyāsa: sequentially installing contemplated letters on specified bodily loci (heart, mouth, eyes, head, feet, palate, genitals, hands, etc.) to consecrate the practitioner’s body as a mantra-maṇḍala.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Varṇa-nyāsa on Hṛd–Āsya–Netra–Mūrdhan–Aṅghri–Tālu–Guhya–Kara","lookup_keywords":["varna-nyasa","anga-nyasa","hridaya","netra","guhya"],"quick_summary":"Install the letters in order on the heart and other loci with focused visualization of their forms; this creates an embodied mantra-map used for protection, concentration, and deity-identification in pūjā."}

Concept: Bhāva-buddhi (intentional cognition) is essential: letters are not merely recited but ‘installed’ as living powers across the body’s sacred geography.

Application: During nyāsa, slow down at each locus, visualize the varṇa’s rūpa and color, and maintain a fixed sequence to avoid ‘nyāsa-bhraṃśa’ (procedural lapse).

Khanda Section: Mantra-nyasa and Tantric Visualization (Varna-nyasa / Anga-nyasa)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A diagrammatic yet devotional scene: the practitioner’s body shown with highlighted loci—heart, mouth, eyes, head, feet, palate, secret place, hands—each receiving a glowing Sanskrit letter-form in sequence.","kerala_mural_prompt":"Kerala mural, frontal standing sādhaka figure with highlighted red-gold loci points, each locus bearing a stylized varṇa glyph, subdued temple interior with oil lamp, emphasis on sacred anatomy mapping.","tanjore_prompt":"Tanjore style, central figure with gold halos at each nyāsa point (heart, mouth, eyes, head, feet, palate, guhya, hands), embossed gold for glyphs, rich ornamental border like a ritual manual made iconic.","mysore_prompt":"Mysore painting, instructional plate: clean labeled body-loci, delicate glyphs, sequential arrows indicating ‘kramāt’, soft pastel background, calm scholarly aesthetic.","mughal_miniature_prompt":"Mughal miniature, refined anatomical pose (modest, stylized), tiny luminous letters placed on loci, courtly atelier feel, margins with calligraphic notes indicating the order."}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: रूपानिमान् = रूपान् इमान्; भावबुद्धान्न्यसेत् = भावबुद्धान् न्यसेत् (न् + न्); हृदास्यनेत्रमूर्धाङ्घ्रितालुगुह्यकरादिषु = हृद्-आस्य-नेत्र-मूर्ध-अङ्घ्रि-तालु-गुह्य-कर-आदिषु (समाहार-समासवत् सूचीसमासः).

Related Themes: Agni Purana 302.6; Agni Purana 302.8; Agni Purana 302.9

A
Agni
N
Nyasa
V
Varna
M
Mantra

FAQs

It teaches varṇa-nyāsa: the sequential installation of mantric letters on specific bodily loci (heart, mouth, eyes, head, feet, palate, guhya, hands, etc.) as part of tantric/ritual practice.

Beyond mythic narration, it preserves practical ritual technology—mantra-visualization and bodily nyāsa—showing the Purana as a manual for applied worship (pūjā-vidhi) and esoteric disciplines.

Nyāsa sacralizes the practitioner’s body as a mantra-bearing vessel, strengthening concentration and purity in worship, and is traditionally held to enhance mantra-siddhi and ritual efficacy.