HomeVaraha PuranaAdhyaya 69Shloka 14
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Varaha Purana 69.14: Adhyaya 69, Shloka 14

Agastya’s Vision of Varuṇa as Nārāyaṇa in Ilāvṛta

ततोऽहं तस्य वचनात् तस्यां द्रोण्यां नराधिप । विशामि तावत् सरसि सा द्रोणी प्रत्यमज्जत ॥ ६९.१४ ॥

Sanskrit recitationVaraha Purana 69.14

tato'haṃ tasya vacanāt tasyāṃ droṇyāṃ narādhipa | viśāmi tāvat sarasi sā droṇī pratyamajjata || 69.14 ||

پھر، اے نرادھپ، اس کے فرمان کے مطابق میں اس دَرونی میں داخل ہوا۔ اور جیسے ہی میں جھیل میں اترا، وہ دَرونی نیچے دھنسنے لگی۔

tataḥthen/thereupon
tataḥ:
Hetu/Anubandha (निमित्त/अनुबन्ध)
TypeIndeclinable
Roottatas (अव्यय-प्रातिपदिक)
FormAvyaya (अव्यय), adverb (क्रियाविशेषण)
ahamI
aham:
Karta (कर्ता)
TypeNoun
Rootasmad (सर्वनाम-प्रातिपदिक)
FormPronoun (सर्वनाम), 1st person; Nominative (प्रथमा) Singular (एकवचन)
tasyaof him/of that
tasya:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormPronoun (सर्वनाम); Genitive (षष्ठी) Singular (एकवचन) Masculine/Neuter (पुं/नपुं)
vacanātfrom (his) word/command
vacanāt:
Hetu/Apādāna (हेतु/अपादान)
TypeNoun
Rootvacana (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Ablative (पञ्चमी) Singular (एकवचन)
tasyāmin that
tasyām:
Adhikaraṇa (अधिकरण)
TypeAdjective
Roottad (सर्वनाम-प्रातिपदिक)
FormPronoun used adjectivally; Feminine (स्त्रीलिङ्ग), Locative (सप्तमी) Singular (एकवचन)
droṇyāmin the trough/boat-like vessel
droṇyām:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootdroṇī (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Locative (सप्तमी) Singular (एकवचन)
narādhipaO king
narādhipa:
Sambodhana (सम्बोधन)
TypeNoun
Rootnara + adhipa (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Vocative (सम्बोधन/प्रथमा) Singular (एकवचन); Tatpuruṣa: nara-adhipa = 'lord of men'
viśāmiI enter
viśāmi:
Kriyā (क्रिया)
TypeVerb
Rootviś (धातु)
FormPresent tense (लट्), 1st person (उत्तमपुरुष) Singular (एकवचन), Parasmaipada (परस्मैपद)
tāvatso long/just then
tāvat:
Kāla/Parimāṇa (काल/परिमाण)
TypeIndeclinable
Roottāvat (अव्यय-प्रातिपदिक)
FormAvyaya (अव्यय), adverb (परिमाण/कालवाचक)
sarasiin the lake
sarasi:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootsaras (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Locative (सप्तमी) Singular (एकवचन)
she/that (one)
:
Karta (कर्ता)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormPronoun; Feminine (स्त्रीलिङ्ग), Nominative (प्रथमा) Singular (एकवचन)
droṇīthe trough/vessel
droṇī:
Karta (कर्ता)
TypeNoun
Rootdroṇī (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Nominative (प्रथमा) Singular (एकवचन)
pratitowards/down (intensifier)
prati:
Upasarga (उपसर्ग)
TypeIndeclinable
Rootprati (अव्यय)
FormUpasarga/indeclinable preverb (उपसर्ग) used with verb
amajjatasank
amajjata:
Kriyā (क्रिया)
TypeVerb
Rootmajj (धातु)
FormImperfect (लङ्), 3rd person (प्रथमपुरुष) Singular (एकवचन), Ātmanepada (आत्मनेपद)

Varāha (default dialogue framework; speaker not explicit in excerpt)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"observer"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The prepared ‘support’ (droṇī) sinking upon entry evokes the instability of external props and the descent into the depths required for true purification/realization—crossing from surface ritual to inner plunge.","yajna_varaha_imagery":"Water as the undifferentiated field; the vessel as a constructed rite that can ‘submerge’ the practitioner into transformative depth—an implicit move from upacāra to initiation-like immersion.","vedantic_connection":"Ritual as upāya that leads beyond itself: when one ‘enters’, the form may dissolve, forcing reliance on deeper reality (ātma/īśvara) rather than mere apparatus."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"parīkṣā (test) and vairāgya","core_concept":"Even well-arranged means can fail; one must be ready for the unexpected and hold steadiness when supports ‘sink’.","practical_application":"In spiritual practice, accept disruptions as tests; maintain composure and trust while adapting beyond planned forms."}

Subject Matter: ["Narrative","Sacred Geography","Hydrology (lakes/ponds)","Royal Discourse"]

Primary Rasa: adbhuta

Secondary Rasa: bhayānaka

Type: deep waterbody / liminal ritual space

Related Themes: Varāha Purāṇa: immediate prior instruction to enter the droṇī (69.69.13)

Visual Art Cues: {"scene_description":"The narrator steps into the large trough floating on the lake; the moment his weight enters, the droṇī begins to sink beneath the water, creating ripples and sudden tension.","item_prompts":["figure stepping into droṇī","droṇī half-submerged","splash/ripples","lake depth suggested by darker water","onlookers reacting subtly","sense of sudden descent"],"kerala_mural_prompt":"Kerala mural: dramatic diagonal of sinking droṇī, stylized waves, controlled expressions, rich colors emphasizing the sudden turn.","tanjore_prompt":"Tanjore: gilded droṇī tipping/sinking with embossed gold, strong contrast between gold and deep blue water, figures posed in heightened moment.","mysore_prompt":"Mysore: nuanced motion—droṇī lowering into water, delicate ripples, restrained drama, refined facial expressions.","pahari_prompt":"Pahari: narrative instant with lyrical water patterns, droṇī sinking, gentle but tense composition, landscape framing the surprise."}

Audio Atmosphere: {"recitation_mood":"sudden wonder with suspense","suggested_raga":"Bhairavi (gravity) or Todi (tension)","pace":"madhyama accelerating slightly at ‘pratyamajjat’","voice_tone":"narrative with a sharpened, suspenseful cadence at the sinking moment"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaiṣṇavism
A
Ancient Geography

FAQs

It illustrates a common Purāṇic narrative technique: a first-person report framed within royal address (narādhipa), using concrete hydrological imagery (sarasi) to advance a larger episodic account preserved in the Varāha Purāṇa’s dialogue tradition.

The verse mentions a generic 'lake' (sarasi) without naming a specific tīrtha or locality; therefore, no secure modern identification can be made from this excerpt alone.

The ethical content is implicit rather than explicit here: the passage emphasizes responsiveness to instruction (vacanāt) and careful attention to actions in natural settings (a lake), a theme often used in Purāṇic literature to frame responsible conduct within culturally valued landscapes.

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