HomeVaraha PuranaAdhyaya 62Shloka 12
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Varaha Purana 62.12 — Adhyaya 62, Shloka 12

Instruction on the ‘Health Vow’ and the Rite of Solar Worship

एवमुक्तस्तदा तेन सारथिः प्रविवेश ह । ग्रहीतुमुपचक्राम तं पद्मं नृपसत्तम ॥ ६२.१२ ॥

evam uktas tadā tena sārathiḥ praviveśa ha | grahītum upacakrāma taṃ padmaṃ nṛpasattama || 62.12 ||

اس وقت اُس کے یوں کہنے پر رتھ بان اندر داخل ہوا اور، اے بہترین بادشاہ، اُس کنول کو پکڑنے کی کوشش کرنے لگا۔

evamthus
evam:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootevam (अव्यय)
Formप्रकारवाचक-अव्यय (adverb: ‘thus’)
uktaḥ(he) having been told
uktaḥ:
Kartṛ (कर्ता)
TypeVerb
Rootvac (धातु)
Formक्त-प्रत्ययान्त भूतकृदन्त (past passive participle), प्रथमा-विभक्तिः, एकवचनम्, पुंलिङ्गे; ‘having been told/addressed’
tadāthen
tadā:
Kāla-adhikaraṇa (कालाधिकरण)
TypeIndeclinable
Roottadā (अव्यय)
Formकालवाचक-अव्यय (adverb: ‘then’)
tenaby him
tena:
Karaṇa (करण)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्गे/नपुंसकलिङ्गे, तृतीया-विभक्तिः (Instrumental), एकवचनम्; ‘by him’
sārathiḥthe charioteer
sārathiḥ:
Karta (कर्ता)
TypeNoun
Rootsārathi (प्रातिपदिक)
Formपुंलिङ्गे, प्रथमा-विभक्तिः, एकवचनम्
praviveśaentered
praviveśa:
Kriyā (क्रिया)
TypeVerb
Rootpra-viś (धातु)
Formलिट्-लकारः (Perfect), प्रथम-पुरुषः, एकवचनम्; परस्मैपदम्
haindeed (narrative particle)
ha:
Sambandha (सम्बन्ध/निपात)
TypeIndeclinable
Rootha (अव्यय)
Formस्मरण/वृत्तान्तसूचक-निपातः (particle used in narration/emphasis)
grahītumto take
grahītum:
Prayojana (प्रयोजन/उद्देश्य)
TypeVerb
Rootgrah (धातु)
Formतुमुन्-प्रत्ययान्त infinitive (भावे), ‘to seize/take’
upacakrāmabegan/undertook
upacakrāma:
Kriyā (क्रिया)
TypeVerb
Rootupa-kram (धातु)
Formलिट्-लकारः (Perfect), प्रथम-पुरुषः, एकवचनम्; परस्मैपदम्
tamthat
tam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Roottad (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्गे, द्वितीया-विभक्तिः, एकवचनम्; विशेषणम् (padmam इति)
padmamlotus
padmam:
Karma (कर्म)
TypeNoun
Rootpadma (प्रातिपदिक)
Formनपुंसकलिङ्गे, द्वितीया-विभक्तिः, एकवचनम्
nṛpa-sattamaO best of kings
nṛpa-sattama:
Sambodhana (सम्बोधन)
TypeNoun
Rootnṛpa + sattama (प्रातिपदिक)
Formसमासः: षष्ठी-तत्पुरुषः (nṛpāṇāṁ sattamaḥ); पुंलिङ्गे, सम्बोधन-विभक्तिः (Vocative), एकवचनम्

Varāha (default speaker framework; explicit speaker not stated in the verse fragment)

Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"None","bhu_devi_state":"None","key_question":"None"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}

Dharma Shastra: {"has_dharma_rule":false,"topic":"None","instruction_summary":"None","karmic_consequence":"None"}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The lotus functions as a charged sacred object (āyudha/ādhāra) whose improper handling triggers unseen potency; it hints at the Purāṇic theme that ritual objects demand adhikāra (fitness) and right procedure.","yajna_varaha_imagery":"Lotus as yajña-seat/āsana or brahma-padma; the act of ‘grasping’ without authorization parallels seizing a consecrated offering (havis) before due rite.","vedantic_connection":"Śabda/tejas latent in sacred forms suggests that nāma-rūpa can be vehicles of īśvara-śakti; contact without right knowledge (avidyā) yields bondage/suffering."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethics of action (karma) and adhikāra","core_concept":"Actions toward potent/sacred objects are not neutral; intention and authorization shape outcomes.","practical_application":"Approach ritual items, vows, and temple property with permission, purity, and guidance; avoid impulsive appropriation."}

Subject Matter: ["Narrative","Royal Court Culture","Action/Instruction Sequence"]

Primary Rasa: adbhuta

Secondary Rasa: bhayanaka

Type: court/palace

Related Themes: 62.62.13-16 (immediate consequence; sage counsel)

Visual Art Cues: {"scene_description":"A charioteer steps forward into an inner chamber and reaches out to seize a radiant lotus while the king watches.","item_prompts":["charioteer with cautious posture","radiant lotus on pedestal or in water-vessel","royal figure observing","dim palace interior with sanctified aura"],"kerala_mural_prompt":"Kerala mural style: flat yet rich colors, ornate palace interior, luminous lotus with halo, expressive hand-gesture of reaching, traditional jewelry and textiles.","tanjore_prompt":"Tanjore style: central glowing lotus with gold-leaf aura, charioteer in profile reaching, king seated with regal ornaments, embossed architectural frame.","mysore_prompt":"Mysore style: delicate linework, soft shading, detailed textiles, subtle sacred glow around lotus, restrained courtly elegance.","pahari_prompt":"Pahari style: intimate palace scene, cool palette, stylized lotus brilliance, narrative clarity with minimal props and expressive faces."}

Audio Atmosphere: {"recitation_mood":"narrative-suspense","suggested_raga":"Bhairavi","pace":"medium-slow","voice_tone":"measured, anticipatory"}

C
Classical Literature
P
Purāṇic Narrative
S
Sanskrit Philology
V
Vaishnavism

FAQs

It reflects a common purāṇic narrative style: a command is given and immediately enacted, illustrating courtly roles (such as the sārathi) and the literary convention of sequential action reporting.

No geographic location is named in this verse fragment; it focuses on an action within a narrative scene.

The verse primarily conveys procedural obedience and role-based duty (the charioteer acting upon instruction), rather than an explicit moral injunction.

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