HomeVaraha PuranaAdhyaya 6Shloka 19
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Varaha Purana 6.19: Adhyaya 6, Shloka 19

The Puṇḍarīkākṣapāraka Hymn and Puṣkara Tīrtha: The Account of King Vasu’s Release from Sin

रक्ताक्षो ह्रस्वकायस्तु दग्धस्थूणासमप्रभः । उवाच प्राञ्जलिर्भूत्वा किं करोमि नराधिप ॥ ६.१९ ॥

Sanskrit recitationVaraha Purana 6.19

raktākṣo hrasvakāyas tu dagdhasthūṇāsamaprabhaḥ | uvāca prāñjalir bhūtvā kiṃ karomi narādhipa || 6.19 ||

سرخ آنکھوں والا، پست قامت، جلی ہوئی ستون جیسی چمک رکھنے والا وہ ہاتھ باندھ کر بولا: “اے نرادھپ! میں کیا کروں؟”

rakta-akṣaḥred-eyed
rakta-akṣaḥ:
Karta (कर्ता)
TypeAdjective
Rootrakta + akṣa (प्रातिपदिक)
FormKarmadhāraya: rakta-akṣa (‘red-eyed’); Pumliṅga, Prathamā, Ekavacana; viśeṣaṇa of implied ‘puruṣaḥ’
hrasva-kāyaḥshort-bodied
hrasva-kāyaḥ:
Karta (कर्ता)
TypeAdjective
Roothrasva + kāya (प्रातिपदिक)
FormKarmadhāraya: hrasva-kāya (‘short-bodied’); Pumliṅga, Prathamā, Ekavacana
tubut/indeed
tu:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
FormParticle (nipāta/तु)
dagdha-sthūṇā-sama-prabhaḥhaving a glow like a burnt post
dagdha-sthūṇā-sama-prabhaḥ:
Karta (कर्ता)
TypeAdjective
Rootdagdha + sthūṇā + sama + prabha (प्रातिपदिक)
FormTatpuruṣa (multi-member): dagdha-sthūṇā-sama-prabha (‘having luster like a burnt pillar’); Pumliṅga, Prathamā, Ekavacana
uvācasaid/spoke
uvāca:
Kriyā (क्रिया)
TypeVerb
Root√vac (वच्)
FormLiṭ-lakāra (लिट्, perfect), Prathama-puruṣa (3rd/प्रथम), Ekavacana, Parasmaipada
prāñjaliḥwith folded hands
prāñjaliḥ:
Karta (कर्ता)
TypeAdjective
Rootprāñjali (प्रातिपदिक)
FormPumliṅga, Prathamā, Ekavacana; predicate/viśeṣaṇa of subject (‘with folded hands’)
bhūtvāhaving become
bhūtvā:
Kriyāviśeṣaṇa (क्रियाविशेषण; prior action)
TypeIndeclinable
Root√bhū (भू)
FormKtvā-pratyaya (absolutive/क्त्वान्त), avyaya; ‘having become’
kimwhat
kim:
Karma (कर्म)
TypeNoun
Rootkim (प्रातिपदिक)
FormSarvanāma-interrogative, Napumsaka, Dvitīyā, Ekavacana; object of ‘karomi’
karomishall I do / do I do
karomi:
Kriyā (क्रिया)
TypeVerb
Root√kṛ (कृ)
FormLaṭ-lakāra, Uttama-puruṣa, Ekavacana, Parasmaipada
narādhipaO king
narādhipa:
Sambodhana (सम्बोधन)
TypeNoun
Rootnara + adhipa (प्रातिपदिक)
FormTatpuruṣa: nara-adhipa (‘lord of men’); Pumliṅga, Sambodhana, Ekavacana

Unspecified figure (defaulted within the Varāha Purāṇa dialogue framework: addressed to a king; speaker not explicitly named in this fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"observer","key_question":"Explicit: ‘What shall I do, O lord of men?’—a request for command/duty from the king."}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"rajaniti","instruction_summary":"A subordinate/agent approaches the king with humility (añjali) and seeks explicit instruction before acting—proper protocol in royal ethics.","karmic_consequence":"Following proper deference and command-structure supports righteous governance and reduces adharmic, impulsive action; ignoring it leads to disorder and blame for unauthorized violence."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"Ethics of agency","core_concept":"Power should be yoked to rightful authority and humility; even a fearsome being must seek dharmic direction.","practical_application":"Before acting, seek clarity of duty (svadharma) and legitimate authorization; cultivate humility even when capable of force."}

Subject Matter: ["Ethics","Kingship","Dialogue","Ritual Etiquette"]

Primary Rasa: bhayānaka

Secondary Rasa: dāsya

Type: Royal encounter / courtly or roadside meeting implied

Related Themes: Varāha Purāṇa: didactic passages on rājadharma and proper conduct of agents (general thematic parallel)

Visual Art Cues: {"scene_description":"A short, red-eyed, ash-radiant figure like a charred pillar stands before the king with folded hands, awaiting orders.","item_prompts":["short stature figure","red eyes (raktākṣa)","glow like burnt pillar (dagdha-sthūṇā)","añjali-mudrā","king seated or standing in authority"],"kerala_mural_prompt":"Kerala mural: stylized ‘charred pillar’ sheen using dark browns and ember highlights; the king richly adorned; clear añjali gesture.","tanjore_prompt":"Tanjore: king on throne with gold embellishments; the ash-glowing figure in front with stark contrast; ornate borders.","mysore_prompt":"Mysore: refined facial expressions—fearsome yet deferential; detailed textiles for the king; subtle smoky aura around the figure.","pahari_prompt":"Pahari: intimate court scene with minimal props; expressive eyes; warm earthy palette to suggest ‘burnt’ radiance."}

Audio Atmosphere: {"recitation_mood":"Tense but formal","suggested_raga":"Kedar","pace":"medium-slow","voice_tone":"measured, with respectful lift on ‘kiṃ karomi narādhipa’"}

C
Classical Literature
P
Purāṇic Narrative
S
Sanskrit Philology
V
Vaishnavism

FAQs

It preserves a conventional Purāṇic narrative motif: a subordinate or awe-struck figure approaches a ruler with the respectful prāñjali gesture, framing ethical and administrative action as something to be clarified through dialogue.

No geographic location is explicitly named in this verse; the content is descriptive and dialogic rather than topographic.

The verse foregrounds humility and deference in counsel-seeking: the speaker explicitly requests instruction (“What shall I do?”), indicating that right action is to be guided by deliberation and legitimate authority.

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