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Varaha Purana 198.3: Adhyaya 198, Shloka 3

Description of the Torments within the Cycle of Rebirth: Hymn to Yama and the Introduction to Citragupta’s Administration

अब्रवीच्च पुनर्हृष्टो ह्यास्यतां च वरासने ॥ काञ्चने कुशसंच्छन्ने दिव्यपुष्पोपशोभिते

Sanskrit recitationVaraha Purana 198.3

abravīc ca punar hṛṣṭo hy āsyatāṃ ca varāsane || kāñcane kuśasaṃchanne divyapuṣpopaśobhite

پھر وہ خوش ہو کر بولا: “مہربانی فرما کر بہترین آسن پر تشریف رکھیے—سنہری، کُشا گھاس سے ڈھکا ہوا، اور دیوی پھولوں سے آراستہ۔”

अब्रवीत्said/spoke
अब्रवीत्:
Kriya (क्रिया)
TypeVerb
Rootब्रू (धातु)
Formलङ् (Imperfect/Past); परस्मैपद; प्रथमपुरुष; एकवचन
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयार्थक
पुनःagain
पुनः:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootपुनः (अव्यय)
Formअव्यय; पुनरुक्ति/कालवाचक क्रियाविशेषण (again)
हृष्टःdelighted
हृष्टः:
Karta (कर्ता)
TypeAdjective
Rootहृष् (धातु) + क्त (कृदन्त)
Formभूतकृदन्त (क्त); पुल्लिङ्ग; प्रथमा; एकवचन; विशेषण (delighted)
हिindeed
हि:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootहि (अव्यय)
Formअव्यय; निपात (indeed/for)
आस्यताम्sit (please)
आस्यताम्:
Kriya (क्रिया)
TypeVerb
Rootआस् (धातु)
Formलोट् (Imperative); आत्मनेपद; मध्यमपुरुष; एकवचन (or honorific); विधिलिङ्गार्थे आज्ञा (please sit)
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयार्थक
वर-आसनेon the excellent seat
वर-आसने:
Adhikarana (अधिकरण)
TypeNoun
Rootवर (प्रातिपदिक) + आसन (प्रातिपदिक)
Formनपुंसकलिङ्ग; सप्तमी; एकवचन; समासः—कर्मधारय (on an excellent seat)
काञ्चनेgolden
काञ्चने:
Visheshana (विशेषण)
TypeAdjective
Rootकाञ्चन (प्रातिपदिक)
Formनपुंसकलिङ्ग; सप्तमी; एकवचन; विशेषण (golden)
कुश-संच्छन्नेcovered with kuśa grass
कुश-संच्छन्ने:
Visheshana (विशेषण)
TypeAdjective
Rootकुश (प्रातिपदिक) + संच्छन्न (कृदन्त/प्रातिपदिक)
Formनपुंसकलिङ्ग; सप्तमी; एकवचन; समासः—तत्पुरुष (covered with kuśa grass)
दिव्य-पुष्प-उपशोभितेadorned with divine flowers
दिव्य-पुष्प-उपशोभिते:
Visheshana (विशेषण)
TypeAdjective
Rootदिव्य (प्रातिपदिक) + पुष्प (प्रातिपदिक) + उपशोभित (कृदन्त/प्रातिपदिक)
Formनपुंसकलिङ्ग; सप्तमी; एकवचन; समासः—तत्पुरुष (adorned with divine flowers)

Varāha (default narrative voice per instruction)

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Varāha narrates delighted hospitality—inviting ‘me’ to sit on an excellent āsana—suggesting protective, honoring engagement with Bhu-devī/guest."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"dana","instruction_summary":"Atithi-satkāra/pūjā includes offering a worthy seat prepared with purity markers (kuśa) and auspicious adornment (flowers), reflecting honor and śauca.","karmic_consequence":"Honoring with proper āsana and auspicious materials increases puṇya and social-spiritual harmony; disrespect or stinginess accrues demerit and inauspiciousness."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The ‘golden seat’ and kuśa covering evoke yajña-vedi imagery: the divine is enthroned on ritual purity; Varāha’s delight signals that dharma of reception is itself a sacrificial act.","yajna_varaha_imagery":"Kuśa = ritual purifier/āsana of yajña; flowers = āhuti-like auspicious offerings; golden āsana = śrī/tejas of the Lord seated in the heart-altar.","vedantic_connection":"The Lord ‘seated’ signifies īśvara established in a purified locus (mind/space); external śauca mirrors internal sattva needed for stable bhakti."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"dharma of hospitality as spiritual practice","core_concept":"Auspicious material culture (kuśa, flowers, worthy seat) is not mere ornament but a language of reverence that shapes consciousness.","practical_application":"When welcoming teachers/guests or beginning worship, prepare a clean seat (ideally with traditional purity symbols) and offer sincere invitation."}

Subject Matter: ["Heritage Sites","Ethics"]

Primary Rasa: bhakti

Secondary Rasa: śānta

Type: ritual space (implied)

Related Themes: Varāha Purāṇa narrative protocols of reception and dialogue-setting via āsana

Visual Art Cues: {"scene_description":"A splendid golden seat covered with kuśa-grass, strewn with divine flowers; a delighted host gestures invitingly while attendants hold floral garlands.","item_prompts":["golden throne/āsana","kuśa mat","divine flowers raining or arranged","gesture of invitation (hasta-mudrā)","ritual attendants","garlands and trays"],"kerala_mural_prompt":"Kerala mural: ornate golden āsana with kuśa texture; stylized flower clusters; expressive yet composed host; symmetrical attendants.","tanjore_prompt":"Tanjore: heavy gold embossing on the āsana; thick floral garlands; central figure with radiant prabhāmaṇḍala; jewel-toned background.","mysore_prompt":"Mysore: elegant courtly interior; fine kuśa detailing; soft floral highlights; restrained grandeur.","pahari_prompt":"Pahari: delicate, lyrical invitation scene; detailed grass mat; scattered blossoms; gentle expressions and airy palette."}

Audio Atmosphere: {"recitation_mood":"welcoming, auspicious","suggested_raga":"Kalyāṇi/Yaman","pace":"medium","voice_tone":"warm, gently elevated"}

C
Classical Literature
M
Material Culture
R
Ritual Hospitality

FAQs

It preserves details of ritual-material culture (kuśa, floral adornment) used as markers of honor in classical Sanskrit narrative contexts.

None; the verse describes furnishings and ritual decor rather than a named place.

Respectful reception of a guest/teacher is framed as a normative virtue expressed through proper seating and offerings.

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