Varaha Purana 172.2 — Adhyaya 172, Shloka 2
The Harm of Destroying a Grove and the Merit of Tree-Planting as Pūrta-Dharma
ता देव्यॊ नृत्यगीतॆषु कुशलाश्चागमेऽभवन् ॥ सुरूपाश्च स्वलङ्काराः रमयन्ति दिने दिने ॥
tā devyo nṛtyagīteṣu kuśalāś cāgame ’bhavan || surūpāś ca svalāṅkārā ramayanti dine dine ||
وہ دیویاں رقص و گیت میں ماہر ہو گئیں اور فنون میں بھی خوب واقف ہوئیں؛ خوش صورت اور اپنے اپنے زیورات سے آراستہ، وہ روز بروز (اسے) مسرور کرتی رہیں۔
Varāha
Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}
Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor","bhu_devi_state":"None","key_question":"None"}
Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}
Dharma Shastra: {"has_dharma_rule":false,"topic":"None","instruction_summary":"None","karmic_consequence":"None"}
Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}
Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"None","yajna_varaha_imagery":"None","vedantic_connection":"None"}
Philosophical Teaching: {"has_teaching":true,"teaching_type":"aesthetics-and-attachment (contextual)","core_concept":"कलाकौशलं वशीकरण-हेतुः; रूपालङ्कारादि मनः-आकर्षणं जनयति","practical_application":"इन्द्रिय-विषयेषु आसक्तिं विवेकपूर्वकं नियच्छेत्; कलासु रतिः धर्मविरोधं न नयेत्"}
Subject Matter: ["Aesthetics","Courtly Arts","Narrative Literature"]
Primary Rasa: शृङ्गार
Secondary Rasa: हास्य
Type: सभा/अन्तःपुर-प्रायः (courtly setting)
Related Themes: Varaha Purana 172.3-172.6 (आसक्ति→विपरिणाम-क्रमः)
Visual Art Cues: {"scene_description":"अन्तःपुरे/सभायां देव्यो नृत्य-गीत-वाद्यैः कुशलाः, स्वलङ्कारैः शोभमानाः, नायकं दिनेदिने रमयन्ति।","item_prompts":["नर्तकी-देव्यः","वीणा/मृदङ्ग/ताल","रत्नालङ्कार","रेशमी वस्त्र","दीप-प्रदीप","सभा-स्तम्भ","पुष्प-वर्षा/गन्ध"],"kerala_mural_prompt":"Kerala mural style: ornate palace hall, devīs in graceful dance poses, bold outlines, flat luminous colors, heavy jewelry, oil-lamp glow, rhythmic hand mudrās.","tanjore_prompt":"Tanjore style: central dancing devī with rich gold-leaf ornaments, gem-inlaid borders, palace arch backdrop, warm reds and greens, embossed jewelry highlights.","mysore_prompt":"Mysore style: delicate linework, soft shading, refined textiles, subtle expressions of delight, balanced composition with musicians seated to the side.","pahari_prompt":"Pahari style: intimate court scene, pastel palette, stylized architecture, lyrical movement, emphasis on facial charm and ornament detail."}
Audio Atmosphere: {"recitation_mood":"vilāsa-śānta (courtly elegance)","suggested_raga":"Khamaj","pace":"madhyama","voice_tone":"smooth, lightly lilting, descriptive"}
FAQs
It preserves a literary snapshot of performing arts (dance, song) as culturally valued skills within Purāṇic storytelling.
No explicit location is named in this verse; it remains a general narrative setting.
The verse primarily describes cultural practice (arts and adornment) rather than issuing a direct ethical injunction.
Ask anything about this verse
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