HomeVaraha PuranaAdhyaya 136Shloka 119
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Varaha Purana 136.119 — Adhyaya 136, Shloka 119

A Sūtra-like Manual of Expiations for Ritual Transgressions

आख्यानानां महाख्यानं तपसां च परं तपः ॥ अत्राहं कीर्तयिष्यामि ब्राह्मणेभ्यो महेश्वरि ॥

ākhyānānāṁ mahākhyānaṁ tapasāṁ ca paraṁ tapaḥ || atrāhaṁ kīrtayiṣyāmi brāhmaṇebhyo maheśvari

یہ حکایات میں سب سے بڑی حکایت ہے اور ریاضتوں میں سب سے اعلیٰ ریاضت۔ اے مہیشوری! یہاں میں اسے برہمنوں کے سامنے بیان کروں گا۔

ākhyānānāmof narratives
ākhyānānām:
Sambandha (सम्बन्ध/Genitive relation)
TypeNoun
Rootākhyāna (प्रातिपदिक)
FormNapumsaka (नपुंसकलिङ्ग), Genitive (6th/षष्ठी), Plural (बहुवचन)
mahā-ākhyānamthe great narrative
mahā-ākhyānam:
Karma (कर्म/Object)
TypeNoun
Rootmahā + ākhyāna (प्रातिपदिक)
FormNapumsaka (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
tapasāmof austerities
tapasām:
Sambandha (सम्बन्ध/Genitive relation)
TypeNoun
Roottapas (प्रातिपदिक)
FormNapumsaka (नपुंसकलिङ्ग), Genitive (6th/षष्ठी), Plural (बहुवचन)
caand
ca:
Samuccaya (समुच्चय/connector)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction (समुच्चयबोधक अव्यय)
paramsupreme
param:
Viśeṣaṇa (विशेषण/qualifier)
TypeAdjective
Rootpara (प्रातिपदिक)
FormNapumsaka (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन); used as adjective to 'tapaḥ'
tapaḥausterity
tapaḥ:
Karma (कर्म/Object)
TypeNoun
Roottapas (प्रातिपदिक)
FormNapumsaka (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
atrahere
atra:
Adhikaraṇa (अधिकरण/locative sense)
TypeIndeclinable
Rootatra (अव्यय)
FormAdverb (देशवाचक अव्यय)
ahamI
aham:
Karta (कर्ता/Subject)
TypeNoun
Rootasmad (प्रातिपदिक/सर्वनाम)
FormPronoun (सर्वनाम), Nominative (1st/प्रथमा), Singular (एकवचन)
kīrtayiṣyāmiI shall proclaim
kīrtayiṣyāmi:
Kriyā (क्रिया/finite verb)
TypeVerb
Rootkīrtay (धातु; कृत्-प्रेरण from √kīrt/√kīrti)
FormLuṭ (लुट्/Future), Parasmaipada (परस्मैपद), Uttama-puruṣa (उत्तमपुरुष), Singular (एकवचन)
brāhmaṇebhyaḥto the Brahmins
brāhmaṇebhyaḥ:
Sampradāna (सम्प्रदान/recipient)
TypeNoun
Rootbrāhmaṇa (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Dative (4th/चतुर्थी), Plural (बहुवचन)
maheśvariO Maheśvarī
maheśvari:
Sambodhana (सम्बोधन/address)
TypeNoun
Rootmaheśvarī (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Vocative (8th/सम्बोधन), Singular (एकवचन)

Varāha (default dialogue framework)

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Varāha frames the forthcoming account as a supreme narrative/tapas and declares its proclamation to brāhmaṇas, within the Devī-addressed discourse."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"receptive, reverent; positioned as listener to a ‘mahākhyāna’."}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Elevates kathā (sacred narrative) itself as tapas: attentive hearing/recitation becomes a purifying act, aligning speech (vāk) and mind with dharma and the divine.","yajna_varaha_imagery":"Kathā as yajña: speaker as hotṛ, audience as ṛtvij/brāhmaṇa recipients; proclamation (kīrtana) functions like oblation into the ‘fire’ of attentive minds.","vedantic_connection":"Śabda as pramāṇa: liberative knowledge and purification can arise through śravaṇa of sacred discourse; narrative becomes a vehicle for inner transformation."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"power of śravaṇa/kīrtana","core_concept":"Sacred narrative, when rightly transmitted and received, is itself a supreme austerity that purifies and elevates.","practical_application":"Participate in or host dharma-kathā with qualified reciters and attentive listening; treat hearing as disciplined practice, not entertainment."}

Subject Matter: ["Ethics","Textual Tradition","Ritual Expiation"]

Primary Rasa: Adbhuta

Secondary Rasa: Śānta

Type: sacred audience-space

Related Themes: Varāha Purāṇa: transition into a major narrative/expiation section following 136.136.12

Visual Art Cues: {"scene_description":"Varāha solemnly announcing a ‘mahākhyāna’ before an assembly of brāhmaṇas, with Bhū/Devī present; the atmosphere is ceremonial and anticipatory.","item_prompts":["Varāha with proclamation gesture","row of brāhmaṇas seated with sacred threads","palm-leaf manuscripts","water pot and darbha","simple dais or pavilion"],"kerala_mural_prompt":"Kerala mural: formal sabhā composition; Varāha central with halo; brāhmaṇas in rhythmic rows; manuscript motifs; warm ceremonial palette.","tanjore_prompt":"Tanjore: gold-leaf halo and arch; brāhmaṇas with stylized features; manuscripts and ritual vessels with gold accents; symmetrical composition.","mysore_prompt":"Mysore: refined assembly scene; detailed textiles and manuscripts; dignified expressions; balanced lighting.","pahari_prompt":"Pahari: courtly-satsang miniature; delicate faces; pavilion with patterned carpet; emphasis on narrative anticipation."}

Audio Atmosphere: {"recitation_mood":"solemn, proclamatory","suggested_raga":"Kedar","pace":"medium","voice_tone":"resonant, formal, slightly elevated"}

C
Classical Literature
P
Purāṇic Narrative
D
Dharma-śāstra Themes
V
Vaiṣṇavism

FAQs

It reflects a common Purāṇic self-referential style: presenting a teaching as an authoritative “great narrative,” often used to frame dharma and expiation teachings for learned audiences.

No specific toponym appears in this verse; it functions as a framing statement rather than a geographic notice.

The verse emphasizes the transmission of an authoritative teaching—positioning the forthcoming content as a high-value ethical/ritual instruction suitable for learned custodians of tradition.

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