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Skanda Purana — Prabhasa Khanda, Shloka 148

सर्वावयवसंपन्ना सर्वविज्ञानवेदिनी । गंधर्वसेना विख्याता नाम्ना सा परमेश्वरि

sarvāvayavasaṃpannā sarvavijñānavedinī | gaṃdharvasenā vikhyātā nāmnā sā parameśvari

اے پرمیشوری! وہ ہر عضو میں کامل اور ہر علم میں ماہر تھی؛ نام کے اعتبار سے وہ ‘گندھرو سینا’ کے نام سے مشہور ہوئی۔

सर्वावयवसंपन्नाcomplete in all limbs
सर्वावयवसंपन्ना:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootसर्व-अवयव-संपन्न (प्रातिपदिक; सर्व + अवयव + संपन्न)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन; विशेषण—(सा) इति/गन्धर्वसेना इति विशेष्यस्य
सर्वविज्ञानवेदिनीknowing all sciences
सर्वविज्ञानवेदिनी:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootसर्व-विज्ञान-वेदिनी (प्रातिपदिक; सर्व + विज्ञान + वेदिनी)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन; विशेषण
गन्धर्वसेनाGandharvasenā (name)
गन्धर्वसेना:
Karta (Subject/कर्ता)
TypeNoun
Rootगन्धर्व-सेना (प्रातिपदिक; गन्धर्व + सेना)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन
विख्याताrenowned
विख्याता:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootवि+ख्या (धातु) → विख्यात (कृदन्त-प्रातिपदिक)
Formभूतकृदन्त (क्त/PPP), स्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन; विशेषण—गन्धर्वसेना इति विशेष्यस्य
नाम्नाby name
नाम्ना:
Karana (Means/Instrument/करण)
TypeNoun
Rootनामन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd/Instrumental), एकवचन; साधन/प्रकार (by name)
साshe
सा:
Karta (Subject/कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन
परमेश्वरिO supreme lady (address)
परमेश्वरि:
Sambodhana (Address/सम्बोधन)
TypeNoun
Rootपरम-ईश्वरि (प्रातिपदिक; परम + ईश्वरि)
Formस्त्रीलिङ्ग, सम्बोधन (8th/Vocative), एकवचन; संबोधनपदम्

Narrator (within Prabhāsakṣetra Māhātmya; traditional frame: Sūta to the sages)

Tirtha: Prabhāsa

Type: kshetra

Scene: Portrait-like introduction of Gandharvasenā: a radiant maiden with flawless limbs, poised as a learned and accomplished figure—beauty paired with vidyā; attendants and instruments of music/learning subtly present.

G
Gandharvasenā

FAQs

Excellence—both outer refinement and inner knowledge—is portrayed as a divine endowment that should be directed toward dharmic life.

The broader context is Prabhāsakṣetra (Prabhāsa), praised throughout this Māhātmya.

None in this verse; it is a character description within the Prabhāsa narrative.