वर्धमाने च सांबाख्यं कामरूपे शुभंकरम् । मिहिरं कान्यकुब्जे च मंदारं पुण्यवर्धने
vardhamāne ca sāṃbākhyaṃ kāmarūpe śubhaṃkaram | mihiraṃ kānyakubje ca maṃdāraṃ puṇyavardhane
وردھمان میں وہ ‘سامباخْیَ’ کہلاتا ہے؛ کامروپ میں ‘شُبھَنکر’۔ کانْیَکُبْج میں ‘مِہِر’؛ اور پُنْیَوردھن میں ‘مندار’ کے نام سے معروف ہے۔
Sūta (Lomaharṣaṇa) to the sages (deduced)
Tirtha: Vardhamāna (Sāṃbākhya) / Kāmarūpa (Śubhaṃkara) / Kānyakubja (Mihira) / Puṇyavardhana (Mandāra)
Type: kshetra
Scene: A radiant Sūrya presiding over four eastern shrines: (1) Vardhamāna with Sāṃba kneeling, hands in añjali, cured and glowing; (2) Kāmarūpa lush hills and śakti ambiance with ‘Śubhaṃkara’ bestowing blessings; (3) Kānyakubja riverfront city with ‘Mihira’ as a bright disc; (4) Puṇyavardhana fertile fields and lotus ponds with ‘Mandāra’—celestial-flower symbolism raining blossoms.
Sūrya’s grace is accessible across regions; the same deity is honored through locally cherished names.
Vardhamāna, Kāmarūpa, Kānyakubja, and Puṇyavardhana are mapped as places of Sūrya’s named worship.
No explicit ritual is mentioned; the focus is on sacred-name remembrance connected to place.