गीतवाद्यप्रघोषैश्च नृत्यमानाः समंततः । जयशब्दं नमःशब्दं गर्जंतो हरिनामभिः
gītavādyapraghoṣaiśca nṛtyamānāḥ samaṃtataḥ | jayaśabdaṃ namaḥśabdaṃ garjaṃto harināmabhiḥ
گیت اور سازوں کے گونجتے شور کے ساتھ، چاروں طرف ناچتے ہوئے، وہ ‘جے!’ اور ‘نمہ!’ کی للکار لگاتے، ہری کے ناموں سے گرجتے تھے۔
Prahlāda (narration)
Tirtha: Dvārakā
Type: kshetra
Scene: Devas dance in a circle with instruments; banners of ‘Jaya’ and ‘Namaḥ’ seem to vibrate in the air as Hari’s names are shouted like thunder.
Communal bhakti—kīrtana, dance, and chanting Hari’s names—is presented as an exalted response to divine presence.
Dvārakā, as the setting for jubilant Hari-nāma celebration surrounding Kṛṣṇa’s darśana.
Hari-nāma (chanting the divine names) and celebratory kīrtana are implied devotional acts.